William Kircher Quotes
Everyone in the '80s was reading Tolkien; he invented this whole medieval fantasy genre.
Quotes to Explore
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I've always loved massive worlds, whether in fantasy or science fiction. I like the idea of making my own rules as well as utilizing everything that I love or inspires me. It's very freeing to know you can write a story that can be as big as your own imagination.
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Here's the thing, for me at least: this is a huge genre now. It wasn't always so. Not so many years ago, it wasn't so. There is a tremendous diversity in fantasy today.
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The Web forces me to be disciplined and not to waste time – but before the Web was invented, there were plenty of opportunities to do that anyway.
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Fantasy is sort of a blank slate that everybody can project their own culture onto. Everybody can read it in their own way.
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With epic fantasy, there is a tendency for it to be quintessentially conservative in that its job is to restore what is perceived to be out of whack.
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I've read every single fantasy novel there is. I mean, I would challenge a lot of people to read more fantasy novels than I have.
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I've had a love affair with the desert ever since I can remember. No matter what I wrote - contemporary romance, spy thriller, high fantasy - it was going to have a desert in it.
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To me, steampunk and urban fantasy are naturally hinged together. And I think that's because I love the early gothic Victorian literature, and both things spring from that movement.
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As an adolescent I wrote comic books, because I read lots of them, and fantasy novels set in Malaysia and Central Africa.
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The blurring of fantasy and reality is something that the Japanese herald in their life, in their day-to-day commercialism.
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I was the shyest human ever invented, but I had a lion inside me that wouldn't shut up!
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Slipstream fiction is usually defined as fiction with a contemporary setting in which story elements are mimetic (that is, seem real) - except for one or two eerie strangenesses. Unlike outright fantasy, these are not explained or integrated into an alternate-reality setting.
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I've always felt that 'X-Men' was about something serious. It wasn't just fantasy.
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I draw on my memories but blended with a lot of fantasy.
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When George Graham was there they complained, harking back to better days, but I think that's a fantasy.
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We're all just big kids. That's all we are. We are artistes. We grew up wanting to be part of the fantasy of the fairy tales and the stories.
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[Science fiction is] that class of prose narrative treating of a situation that could not arise in the world we know, but which is hypothesised on the basis of some innovation in science or technology, or pseudo-science or pseudo-technology, whether human or extra-terrestrial in origin. It is distinguished from pure fantasy by its need to achieve verisimilitude and win the 'willing suspension of disbelief' through scientific plausibility.
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Mere absurdity has never prevented the triumph of bad ideas, if they accord with easily aroused fantasies of an existence freed of human limitations.
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You have to be smart. He went from hero to zero, getting the pole position and doing what he did.
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I'll watch a Pixar movie over and over and over again. I'll be with friends of mine who have kids, that want to watch 'Finding Nemo,' and I'm like, 'Yeah, okay, let's watch 'Nemo' again, for the seven billionth time!,' because they're amazing movies.
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I knew I had to get out of Boston and stop making movies there, at least for one movie, otherwise no one would ever consider me for a movie that took place south of Providence.
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Sometimes there is only one thing left to say, P. S. I Love You.
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Everyone in the '80s was reading Tolkien; he invented this whole medieval fantasy genre.
