Alec Soth Quotes
I always say that photography's closest cousin is poetry because of the way it sparks your imagination and leaves gaps for the viewer to fill in.
Quotes to Explore
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Disneyland will never be completed. It will continue to grow as long as there is imagination left in the world.
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I design all my sets. With my tour and my album artwork, I co-design that with people who are better at drawing than me. But I've got a good imagination. I went to art school so I understand how to communicate my ideas.
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For awhile after you quit Keats all other poetry seems to be only whistling or humming.
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Poetry, I think, intensifies the reader's experience. If it's a humorous facet of the story, poetry makes it more exuberant. If it's a sad facet, poetry can make it more poignant.
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Every view, and every object I studied attentively, by viewing them again and again on every side, for I was anxious to make a lasting impression of it on my imagination.
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A poet's autobiography is his poetry. Anything else is just a footnote.
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Reality is how we interpret it. Imagination and volition play a part in that interpretation. Which means that all reality is to some extent a fiction.
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I'm always the cousin that can't make it to the family functions because I'm busy.
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My imagination makes me human and makes me a fool; it gives me all the world, and exiles me from it.
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I started writing poetry in high school because I wanted desperately to write, but somehow, writing stories didn't appeal to me, and I loved the flow and the feel and sense of poetry, especially that of what one might call formal verse.
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I didn't know how to weigh ideas about poetry. Nothing in the life I lived as a student - and later as wife and mother at the suburban edge of Dublin - suggested I had the wherewithal to do so. But I did have a unit of measurement. It was the measure of my own life.
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I see all these people talking about acting as a great spiritual thing. It's not. There's no great mystery to acting. It's a very simple thing to do, but you have to work hard at it. It's about asking questions and using your imagination.
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Everybody in their own imagination decides what scary is.
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But the gravest difficulty, and perhaps the most important, in poetry meant solely for recitation, is the difficulty of achieving verbal beauty, or rather of making verbal beauty tell.
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My family fled Iran in October 1978 as a result of the coming revolution when I was two years old. In the early days, my entire family lived together in a very crowded house, where I shared a room with my sister, cousin, and grandmother, and we would all listen to my grandmother tell stories before bedtime.
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My father, Eric Trethewey, is a poet, so I had one right inside the house. And on long trips, he'd tell me, if I got bored in the car, to write a poem about it. And I did find that poetry was a way for me, I think as it for a lot of people, to articulate those things that seem hardest to say.
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Encourage children to write their own stories, and then don't rain on their parade. Don't say, 'That's not true.' Applaud flights of fantasy. Help with spelling and grammar, but stand up and cheer the use of imagination.
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Many young poets, nowadays, are insured against everything. For them poetry is a game like court tennis or squash racquets - one they learned at college - and they play it with propriety, as part of their social and academic existence; their poems are occasional verse for which life itself is only one more occasion.
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There exists an infinite universe between the boundaries of light and darkness; the photographer explores this chasm in a ship of the imagination, that is the camera.
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Then about 1951 I began writing again, painfully, a novel I called in the beginning A Life Sentence on Earth, but which developed into The Tree of Man.
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We CREATORS are builders. We are dedicated to the idea of building a beautiful world so different and so superior to the present one that we CREATORS of this generation will go down in history as the revolutionaries who ushered in the Golden Age of Mankind.
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Many incredible artists die before they were famous.
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I played the young Reese Witherspoon in 'Sweet Home Alabama' when I was 7, and the boy who played the young Josh Lucas was 10.
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I always say that photography's closest cousin is poetry because of the way it sparks your imagination and leaves gaps for the viewer to fill in.
