Aaliyah Quotes
It's really a sad story, and I liked that. The songs on this album talk about relationships in every aspect.
Quotes to Explore
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Let my soul smile through my heart and my heart smile through my eyes, that I may scatter rich smiles in sad hearts.
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With myself, how to pass time becomes sometimes the question - unavoidably, though it strikes me as a thing unspeakably sad in a life so short as ours.
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All of my problems are rather complicated - I need an entire novel to deal with them, not a short story or a movie. It's like a personal therapy.
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I do not take steroids. I never have. It's sad to me that people want to point fingers. I don't do that. That's not me. I wouldn't feel like a human being.
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When I watch cop shows, I really enjoy them because you can really follow the story and get involved, and the characters are always really interesting.
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There is not enough celebration of companionship. Relationships aren't just about eroticism and sexuality.
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Every story I create, creates me. I write to create myself.
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Sometimes the kids come up with better endings than the real story.
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I know feeling pressure gets you nowhere creatively. You've just got to understand the character, understand the story, and just play it to the fullest extent.
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I was also the romantic lead in The Boston Strangler - I was the only one that lived to tell the story - so I called myself the romantic lead.
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Narrative drives most of economics. Everything seems to be part of a story, and how that story is told often leads to critical error.
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When 5150 came out rock was king. Post Nirvana and Pearl Jam 1996 is a different story.
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There really isn't a story that you can't tell inside of it. It's very much a clearinghouse for anything that goes on in the world. So you're not at all limited.
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There's no story that breaks, including a five-alarm fire in Brooklyn, that I don't wish I were covering.
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I think that's very sad, that I haven't allowed my heart to be broken. I have broken a few.
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I love the script and I just thought it was a great role. Like I say, it's like this - the script is like this sad, funny, desperate love song to the lost American man.
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Reading a Lydia Davis story collection is like reaching into what you think is a bag of potato chips and pulling out something else entirely: a gherkin, a pepper corn, a truffle, a piece of beef jerky.
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There's a rule of writing: if everything is funny, nothing is funny; if everything is sad, nothing is sad. You want that contrast.
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A good story gives you more of a license to be forward and progressive with the music.
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History is a ghost story.
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A girl in a bikini is like having a loaded pistol on your coffee table - There's nothing wrong with them, but it's hard to stop thinking about it.
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I admired my father very much... at the age of sixteen. But now I see that he was a brutal and cruel man, - but not without remorse, and that was what tortured us, his alternations.
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Food is culture. Food is an identity, a footprint of who you are.
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It's really a sad story, and I liked that. The songs on this album talk about relationships in every aspect.
