Aaliyah Quotes
It's really a sad story, and I liked that. The songs on this album talk about relationships in every aspect.
Quotes to Explore
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Let my soul smile through my heart and my heart smile through my eyes, that I may scatter rich smiles in sad hearts.
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With myself, how to pass time becomes sometimes the question - unavoidably, though it strikes me as a thing unspeakably sad in a life so short as ours.
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All of my problems are rather complicated - I need an entire novel to deal with them, not a short story or a movie. It's like a personal therapy.
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I do not take steroids. I never have. It's sad to me that people want to point fingers. I don't do that. That's not me. I wouldn't feel like a human being.
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When I watch cop shows, I really enjoy them because you can really follow the story and get involved, and the characters are always really interesting.
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There is not enough celebration of companionship. Relationships aren't just about eroticism and sexuality.
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Every story I create, creates me. I write to create myself.
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Sometimes the kids come up with better endings than the real story.
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I know feeling pressure gets you nowhere creatively. You've just got to understand the character, understand the story, and just play it to the fullest extent.
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I was also the romantic lead in The Boston Strangler - I was the only one that lived to tell the story - so I called myself the romantic lead.
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Narrative drives most of economics. Everything seems to be part of a story, and how that story is told often leads to critical error.
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When 5150 came out rock was king. Post Nirvana and Pearl Jam 1996 is a different story.
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There really isn't a story that you can't tell inside of it. It's very much a clearinghouse for anything that goes on in the world. So you're not at all limited.
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I think that's very sad, that I haven't allowed my heart to be broken. I have broken a few.
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I love the script and I just thought it was a great role. Like I say, it's like this - the script is like this sad, funny, desperate love song to the lost American man.
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Reading a Lydia Davis story collection is like reaching into what you think is a bag of potato chips and pulling out something else entirely: a gherkin, a pepper corn, a truffle, a piece of beef jerky.
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There's a rule of writing: if everything is funny, nothing is funny; if everything is sad, nothing is sad. You want that contrast.
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A good story gives you more of a license to be forward and progressive with the music.
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Here's something I probably shouldn't be saying: I never listen to my soundtrack albums because I can't stand it. It's just stereo. When I write, I write in surround. My life is in surround.
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My face is distinct. It's hard to confuse me with anyone else.
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Insects were scurrying about in the shade cast by the grass, and the lawn was a huge monotonous forest of thousands of little green blades, all equal, all alike, hiding the world from each other. Anguished, she thought, "I don't want to be just another blade of grass."
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Prayer is commission. Out of the quietness with God, power is generated that turns the spiritual machinery of the world. When you pray, you begin to feel the sense of being sent, that the divine compulsion is upon you.
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For him to ask me to go shake his hand on his farewell night, it was a little bit of a shock for me.
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It's really a sad story, and I liked that. The songs on this album talk about relationships in every aspect.
