Missy Elliott Quotes
Quotes to Explore
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If only one in 1,000 people that I talk to goes on to write a good book, that's one more good book that I've helped along... and maybe it will be a book I love myself five or 10 years down the line.
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Any actor is happy to be involved with something that's challenging, controversial, and not easily palatable. Things that are too dumbed down or easy to swallow are uninteresting... It's good when people have such a polarizing response.
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Walking down the street in any town or city in the world and having people look at you and start talking to you, convinced that they know you as well or better than they do members of their own family, that's just an odd phenomenon. But I mean, I wouldn't say it was a bad thing. It's an interesting thing.
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People realised this is real pollution; it is not fog. Now everyone has to face the data and come out of their comfort zone.
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I think people have to set up little battles. They have to demonize people whom they disagree with or feel threatened by. But it's the ideological framing of the debate that scares me.
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You really think that on my films people tell me what to do? I don't think so. On my films I decide.
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I used to tell people if they looked at a map, it was right in the middle of the United States. But now everybody knows Oklahoma because of the Thunder and their success. I don't know if I'll get 'Why?' anymore.
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I weave the company into what we laughingly call 'Jack's novel.' I write this novel for them about who they are and what's going on in their world. When I had 90 people in 'Porgy and Bess,' each had a story, history and family relationship.
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Outstanding people have one thing in common: An absolute sense of mission.
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My apartment is the equivalent of one room in my Toronto home. Now I understand why New Yorkers are on the streets at all hours. People don't want to stay inside for fear they'll go crazy.
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What's important to me is people just being people.
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People have told me about organized crime in the fashion industry, but I can't talk about that. I'm looking to stay alive.
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I really wanted to give people that tool, that thing, that answer, 'Well, what are you going to do after Katrina? How does New Orleans come back?' And I'm thinking to myself, New Orleans is back. We're the definition of 'back.' We're the definition of 'rebirth,' of 'renaissance.'
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I think when people say 'real hip-hop,' they want it more buried in the streets. They want it more connected to the streets and the grime and the roughness of the streets. They don't want the fluff.
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Maybe in the future, you'll be able to understand what I'm saying. I'm going more for an atmospheric vibe in my songs. And I really don't want to ruin the illusions people may create for themselves.
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Well documented, the relationship of literature to myth in the Western world has undergone much change over the millennia, as first the age of gods fell away before the notion of a single god, and then, for many people, that single god slipped away, too.
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The land on which the cattle grazed was communal property. It was owned by no one. It was nobody's private farm. It was the common property of the people, shared by the people. So the practice of sharing was central to the concept of ownership of property.
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You can design and create, and build the most wonderful place in the world. But it takes people to make the dream a reality.
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I used language because I wanted to offer content that people - not necessarily art people - could understand.
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Everyone at a party is uncomfortable. Knowing that makes me more comfortable.
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Each game we play, every game is a championship-game mindset.
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I don't need to write comics for a living. I have movies and TV for that. I write comics for one reason and one reason only: I love comics. I love the form, the structure, the storytelling process, I love everything about it.
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I think that people should absolutely be allowed to do whatever they want with their bodies and to live the life they want to lead.
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I want to make something commercial that people can pick up on.
