Harrison Ford Quotes
Quotes to Explore
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Your opening should give the reader a person to focus on. In a short story, this person should turn up almost immediately; he should be integral to the story's main action; he should be an individual, not just a type. In a novel, the main character may take longer to appear: Anna Karenina doesn't show up in her own novel until chapter eighteen.
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Microcurrent devices are actually really good because they stimulate the muscles, but I'm not a big fan of injectables. You don't know what they'll do to your face in the long run.
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If you saw a dog going to be crushed under a car, wouldn't you help him?
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One of the achievements of the reform movement is that people realize that they can be democrats and remain faithful Muslims. Democracy is now an established idea.
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It's no longer a question of staying healthy. It's a question of finding a sickness you like.
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Young people do not watch television; they are on the Internet.
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When you cease to dream you cease to live.
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I was well motivated. What I wanted to do was work for myself. I had twenty two jobs before I started my business at the age of twenty three and I didn't want one more boss telling me what to do. So I was motivated simply because I didn't want a boss.
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One morning I woke up and was plunged into psychological shock. I had forgotten I was free.
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I know how to treat my voice to make it sound as good as it possibly can - which is still not that good.
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I was really influenced by Joan Didion and Pauline Kael; they were both at the height of their influence when I was coming into my own as a reader.
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Success is so fleeting; even if you get a good book deal, or your book is a huge success, there's always the fear: 'What about the next one?'
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There's nothing so unattractive as vanity... particularly male vanity.
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I'm not sure if I want to continue to work when I have kids.
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There are times that you have a plot in your head, but then you find that the characters don't want to do that. When you're looking at the story from the outside, you can create whatever twists and turns you want. But when you're writing, you're inside the characters' heads, and you see that they may be motivated to do something different.
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I don't really see any barrier between teenage fiction and adult literature.
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In England I am not English, in India I am not Indian. I am chained to the 1,000 square miles that is Trinidad; but I will evade that fate yet.
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People don't know how to listen, and it's not their fault. In school, we learn how to read, we learn how to write - but nobody teaches you how to listen.
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I met Powel Crosley at an All-Star Game in 1935. He was familiar, of course, with our winning record at Rochester. We seemed to hit it off immediately, and the following year, when he was looking for a successor to Larry MacPhail, he thought of me.
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Children will always be afraid of the dark, and men with minds sensitive to hereditary impulse will always tremble at the thought of the hidden and fathomless worlds of strange life which may pulsate in the gulfs beyond the stars, or press hideously upon our own globe in unholy dimensions which only the dead and the moonstruck can glimpse.
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I thought one only had to speak Latin through one's nose and bite off the end.
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What I find is that it's the middle-aged authors who have lived a life who have the most important, interesting voices. They just need someone to give them the key to unlock the door.
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I also know that I have represented for us a certain kind of journalist and for me over the years when an older Black person comes and tells me how proud they are of me and the way I represent us on television, or when a younger person says to me, 'Hey Mr. Gordon, I watched you growing up and my parents made me watch you,'.
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Harrison Ford may be getting old, but he can fight like a 28 year old man.
