Mithun Chakraborty Quotes
Quotes to Explore
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General Giap was one of the most brilliant military strategists of our era, who in Dien Bien Phu was able to place missile launchers in remote, mountainous jungles, something the yankee and European military officers considered impossible.
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It never occurred to me that some people were seen as wrong or even different.
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Hair is a huge part of who I am and what I obsess over - I've had long hair my entire life.
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The niqab, for some, has become an antiestablishment symbol around which one can rally and relish in the opportunities for confrontation that it provides.
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I just have to go out and fight my fight and fight to win.
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Incommensurables cannot be compared.
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I'm not afraid of failing. I don't like to fail. I hate to fail. But I'm not afraid of it.
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Every leading lady I work with, I'll see if I can get a song out of them and put it on an album.
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My husband and I have season tickets to the Giants games, and we go there as fans to enjoy it.
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I think any artist that's going to become anything in this world faces humility: with great humility comes great success.
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I'm very respectful in everything I wear. I think about it.
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Thumbs up to the buxom woman. Size zero is boring!
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It's funny: when I set out to create the world of 'California,' I didn't give the type of apocalypse much thought... I simply set my two characters, Cal and Frida, in a depleted world and moved through it intuitively.
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I love music.
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I can never believe how much time and energy and money and talent and everything else is being poured into horrible ideas.
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Everyone comes with dreams and illusions and promises. Everyone wants quick deals. They don't want to invest.
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There was a period where I was a little scared that I'd blown my chance.
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I'm not 'Will's brother' anymore. Will is my brother. I'm paving the way for all middle children out there.
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Piety is the most solid goodness, and the vilest of what is evil is vice.
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With every project you do, you bring out a part of yourself, and it seems to be quite a good way of expanding a person.
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Some people today claim that cultures rooted in oral tradition are far more careful to make certain that traditions that are told and retold are not changed significantly. This turns out to be a modern myth, however. Anthropologists who have studied oral cultures show that just the opposite is the case. Only literary cultures have a concern for exact replication of the facts “as they really are.” And this is because in literary cultures, it is possible to check the sources to see whether someone has changed a story. In oral cultures, it is widely expected that stories will indeed change—they change anytime a storyteller is telling a story in a new context. New contexts require new ways of telling stories. Thus, oral cultures historically have seen no problem with altering accounts as they were told and retold.
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It is a fact often observed, that men have written good verses under the inspiration of passion, who cannot write well under other circumstances.
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You can't expect a man to change in one day by watching a film, right?
