William Lashner Quotes
Quotes to Explore
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I just realized quite early on that I'm not going to be the type who can write a novel every two years. I think you need to feel an urgency about the act. Otherwise, when you read it, you feel no urgency, either. So I don't write unless I really feel I need to, and that's a luxury.
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I really tend to write in retrospect.
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When I write a movie, I write it for me.
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I like to have interesting things to write about. And when one says something is 'interesting,' one almost always means 'bad.'
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In my case, I write in the past because I'm not really part of the present. I have nothing valid to say about anything current, though I have something to say about what existed then.
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Every story I create, creates me. I write to create myself.
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I draw a very clear distinction between populism and democracy.
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My audience has really become a very diverse group of people. It's not just 15-year-old girls. That's kind of what allows me to write from all the different places I want to write from.
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I write romance because I love to read romance.
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I really don't have anything urgent to say, and I think you shouldn't write unless you have something urgent to say. Sometimes that troubles me, and sometimes I don't really care.
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I never write about the road. I never write about hotels or anything like that.
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My grandmother died in childbirth, and my great-aunt lived with us. She had bound feet. She never knew how to read or write.
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My method is, I just sit down and write a book.
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I write to escape; to escape poverty.
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Yes, it's hard to write. But it's harder not to.
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All the money I have, I got it legally.
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If you want to get an email to Robert Redford, you send it to his assistant, and she prints it out. And then he will write you a letter, which is incredibly rare and incredibly classy. Unfortunately, I can't be that removed from technology.
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I write in the studio.
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We write for the same reason that we walk, talk, climb mountains or swim the oceans - because we can. We have some impulse within us that makes us want to explain ourselves to other human beings. That's why we paint, that's why we dare to love someone - because we have the impulse to explain who we are.
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In order to dream so far, is it enough to read? Isn't it necessary to write? Write as in our schoolboy past, in those days when, as Bonnoure says, the letters wrote themselves one by one, either in their gibbosity or else in their pretentious elegance? In those days, spelling was a drama, our drama of culture at work in the interior of a word.
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Freedom has a price. Most people aren't willing to pay it.
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I won't have a traditional marriage; I don't find the value in that anymore. But I am such a hopeless romantic and I really want love and I want a committed relationship, so I am going to reinvent marriage for myself.
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When I write legally, I try to write very plain, very vanilla, very clear.
