William Lewis Trogdon (William Least Heat-Moon) Quotes
The hotel was once where things coalesced, where you could meet both townspeople and travelers. Not so in a motel. No matter how you build it, the motel remains the haunt of the quick and dirty, where the only locals are Chamber of Commerce boys every fourth Thursday. Who ever heard the returning traveler exclaim over one of the great motels of the world he stayed in? Motels can be big, but never grand.
Quotes to Explore
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My brothers and I would sit out on the park bench and harmonize.
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My work was entirely nonfiction.
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Your private life is really very important for you. You know, all of us, you know.
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You have no power at all if you do not exercise constant power.
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Let no one weep for me, or celebrate my funeral with mourning; for I still live, as I pass to and fro through the mouths of men.
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Devo and The Cramps didn't get big until they went to New York City. Chrissie Hynde didn't get big until she moved to London. When I was growing up, there wasn't even a place to play - just one little bar. If we wanted to have a gig, then we had to drive 45 minutes up to Cleveland.
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When confronting most crises, whether historic or contemporary, aid agencies generally muddle along on a case-by-case basis. They weigh insufficient information, extrapolate somewhat blindly about long-term pros and cons, and reluctantly arrive at decisions meant to do the most good and the least harm.
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Show me an Irishman who can't tell a story – I don't think they exist.
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I was deposed by a coup d'etat, by friends that I trusted and aided by the American Government.
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I don't know how to make Harper and Alloy want me, not just my name.
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As a teenager you are at the last stage in your life when you will be happy to hear that the phone is for you.
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I studied the lives of jazz singers who would tour Europe, and... what I learned was life was big ride for them. They'd seen the dark side of humanity... but touring the world playing jazz, it was a truly carefree way of living. A great escapism, if you like.
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I recently went to New York for the first time, and honey, I'm in love with that place. I'm obsessed with its sausages.
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Before you begin designing or buying anything, you need to get real and ask yourself: What do you really want to use this room for? What do you want to do in this room but can't now?
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There are epic downsides to living a somewhat public life. The upshot of that is there's nothing to hide. It's a relief in a way. There's nothing about me that can't be said.
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There's this perception sometimes around here that I'm this Hollywood guy.
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It is a myth of publishers that people want to read easy things.
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I was trying to manage school and training for the Olympics and ended up not doing well at either. That was a big lesson in my life. My mother expected both.
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I think that, as a white person stepping into doing any sort of anti-systematic-racism type of work, asking yourself, 'What is your intention?' needs to happen on a consistent basis. Check yourself. Check yourself. Check yourself, like, constantly.
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I loved that it was about human relationships and then it was a mystery without falling into the trap of a thriller per se, because it pulled you in through people rather than through events or effects.
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There's a lot of directors who were actors, so they have the sensibility of an actor, which sometimes helps.
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All writers learn this, in time: don't show your work to other people until it's safely finished. Even discussing your unborn book in quite general terms can be such an undermining experience that, afterwards, you give it up and go to live in Guatemala.
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The hotel was once where things coalesced, where you could meet both townspeople and travelers. Not so in a motel. No matter how you build it, the motel remains the haunt of the quick and dirty, where the only locals are Chamber of Commerce boys every fourth Thursday. Who ever heard the returning traveler exclaim over one of the great motels of the world he stayed in? Motels can be big, but never grand.
