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The ideal set-up would be the story man, the director, and the layout man, as well as musician, operating as a sort of story unit. They all should be keenly interested in the picture. No one in person should donate to an extent where he would keep the others from entering into the production and freely expressing themselves.
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Fantasy and reality often overlap.
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A dream is a wish your heart makes, when you're fast asleep.
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There is no magic in magic, it's all in the details.
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Speaking for the one field which I feel definitely qualified to comment on, I fully believe the animated picture will emerge as one of the greatest mediums, not only of entertainment but also of education.
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Sometimes I think of myself as a little bee. I go from one area of the studio to another and gather pollen and sort of stimulate everybody. I guess that’s the job I do.
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A good story can take you on a fantastic journey.
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Too many people grow up. That's the real trouble with the world, too many people grow up. They forget. They don't remember what it's like to be 12 years old. They patronize, they treat children as inferiors. Well, I won't do that.
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Both my study of Scripture and my career in entertaining children have taught me to cherish them.
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Never put business before family.
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The story man must see clearly in his own mind how every piece of business will be put over. He should feel every expression, every reaction. He get far enough from his story to take a second look at it... to see whether there is any dead phase... to see whether the personalities are going to be interesting and appealing to the audience. He should also try to see that the things that his characters are doing are of an interesting nature.
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Togetherness, for me, means teamwork. It makes us reflect how completely dependent we are upon one another in our social and commercial life. The more diversified our labors and interests have become in the modern world, the more surely need to integrate our efforts to justify our individual selves and our civilization.
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Worry is a waste of imagination.
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I have watched constantly that in our work the highest moral and spiritual standards are upheld, whether my productions deal with fable or with stories of living action.
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Somehow, I can't believe that there are any heights that can't be scaled by a man by a man who knows the secret of making dreams come true. The special secret it seems to me is summarized in four C's. They are Curiosity, Courage, Confidence and Constancy. And the greatest of all is Confidence. When you believe in a thing, believe in it all the way, implicitly and unquestionably.
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Think, Believe, Dream, and Dare.
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One thing it takes to accomplish something is courage.
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Or heritage and ideals, our code and standards - the things we live by and teach our children - are preserved or diminished by how freely we exchange ideas and feelings.
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We keep moving forward, opening up new doors and doing new things, because we're curious... and curiosity keeps leading us down new paths.
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Here is adventure. Here is romance. Here is mystery. Tropical rivers – silently flowing into the unknown. The unbelievable splendor of exotic flowers … the eerie sound of the jungle … with eyes that are always watching. This is Adventureland.
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Always, as you travel, assimilate the sounds and sights of the world.
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I definitely feel that we cannot do the fantastic things based on the real, unless we first know the real.
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Life is composed of lights and shadows, and we would be untruthful, insincere, and saccharine if we tried to pretend there were no shadows.
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Ideas come from curiosity.