Flume Quotes
What it is now is basically, I'll sit on my computer; I basically kind of play the computer as an instrument, I guess you could say. I guess I play the Mac. And how it works is, say - I have a program called 'Ableton Live.' And, you know, you'll open it up, and it's just blank. There's nothing there. And then you start.
Quotes to Explore
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I love working with other actors and other people - you know, stand-up - it's lonely; it's just you out there and the audience. But it's fun working with other actors. I love doing that, too.
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People are overwhelmed looking up at the Mount Everest of environmental challenges that we face. But you put one foot in front of the other and you recognize that not everyone is Sir Edmund Hillary.
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The connection I make with being young and growing up is, like, the feeling of not being crushed by the world. Having an idea, thinking you can do it.
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Being on TV sucks. It's a lot of work. You memorize scripts and then you show up and they change everything. I'm a control freak. When I'm doing stand-up, I say what I want and then I get instant feedback.
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I was brought up in a very poor and very violent household. I spent much of my childhood being afraid.
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Once you give up rights, they're not going to give them back.
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My dad grew up with an avocado tree in his backyard. My entire family, my wife and daughters, they love avocado. I may well be allergic. It makes me physically sick.
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Growing up in a small town gives you two things: a sense of place and a feeling of self-consciousness - self-consciousness about one's education and exposure, both of which tend to be limited. On the other hand, limited possibilities also mean creating your own options.
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My mum was no pushy parent. She would drop me off for auditions when I was in my teens at the Lyric Theatre, then give me my bus fare and say she would see me later at home. She wasn't hanging around in the wings geeing me on. I had to do it on my own; it was up to me.
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I always tell young actors to have a back-up. You don't want to find yourself at the age of 30 still struggling to make a living out of acting.
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Music, first of all, is completely about abstraction, which is exactly what architecture is not. In a way, it has been incredibly constructive to know what true abstraction is. So you don't fall into the trap of thinking that what you do is abstract.
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I'm now happily remarried to a good cook, which encourages me to be lazy. I like to think that I'm a new man, but perhaps I'm not. I offset it by doing the ironing, though. She has a small farm in the New Forest with a herd of cattle, so she serves up a steak and kidney pie made with her own beef.
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You know when you see those guys and their sideburns are just a little too high? You don't need to have sideburns, but don't have to have them right above the ear. I knew a guy that did that in high school and I was like, 'What are you doing? Just let them down a little.'
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I was a mixture of a country boy and a town boy, really. Chichester is a town on the coast of England, and I grew up all along that strip of coast that Chichester branches out into. Sometimes I was living in a house in the country, and sometimes I was living in a town.
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The people who watch Fox are not going to watch CNN. You know, let's be honest.
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I cultivated this fan base that I really didn't really understand or appreciate until I put my first headlining tour up for sale. 500- to 1,000-capacity rooms weren't an underplay for me at the time. I'd never done a tour before!
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I grew up with three little brothers. Every Christmas, we'd have piles of toy trucks and Lincoln Logs and G.I. Joes under the tree. Those were for them. For me? My No. 1 favorite present of all time: books. Two or three tall stacks of wonderful stories that I could lose myself in for weeks.
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Life would be very dreary if there were no magic. If the real world were only that veil of tears, I just don't think could get up in the morning.
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Bangalore now wants a person who doesn't only play politics. Bangalore needs a problem solver, and I am a problem solver. I will be the bridge between Bangalore and the Centre.
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Diversity and inclusion are always something industries should strive for.
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Usually when I am approached to do a score for a horror movie, it's to attempt a repeat performance of what I did way back on 'Hellraiser' or 'Jennifer 8' - one of those really orchestral scores.
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'Hamlet' is so modern; 'Coriolanus' is utterly alien to our consciousness, and that makes it difficult for us.
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The majority of women in America look like me.
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What it is now is basically, I'll sit on my computer; I basically kind of play the computer as an instrument, I guess you could say. I guess I play the Mac. And how it works is, say - I have a program called 'Ableton Live.' And, you know, you'll open it up, and it's just blank. There's nothing there. And then you start.
