William Makepeace Thackeray Quotes
Quotes to Explore
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When I was 13, I had these episodes where I could just see the world without any words attached to it, without any associations. It was a little bit spooky. A lot of people might have even thought it was pathological. I thought it was interesting.
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I have fun going on Twitter and the Internet. I feel safe and comfortable, and I wish everyone could feel that way.
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It's hard to bring up your children on benefit. It's easier if you can do part- time work, or even full-time work, and actually have a better standard of living, and that's the direction in which we are going.
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I've been accused of having very long ingredient lists, and I guess there's some truth in that.
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It makes no difference whether a work is naturalistic or abstract; every visual expression follows the same fundamental laws.
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Waiting for me in Stockholm will be a personal assistant - Katrina from the Ministry for Foreign Affairs - as well the secretary of the Swedish Academy. They'll help us with our things and take us to our hotel. From the moment I arrive, I'll always be together with the other two laureates.
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Some people feel that what we're doing makes no sense, that it's just a waste of money. But it's working.
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Immigrants use the library often. A lot of them don't have access to books and Internet at home. They seem so disconnected to the city.
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At the end of the spectrum when you get to that 12th step, when you have that spiritual awakening we make ourselves available to help other people.
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You trivialize the idea of competition totally, then there's no point in having the competition in the first place, and everybody is getting a trophy.
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When I'm singing I feel like I'm talking to someone. I'm in conversation when I perform - either with myself or with whomever is listening.
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What do I know of man's destiny? I could tell you more about radishes.
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Eighty-five per cent of the crowd is going to fall in love with me - they're going to feel it, wow. But fifteen per cent are going to think, 'This guy is obnoxious.' I spend enormous time with them - every negative review of 'Crush It!' on Amazon has a response from me - and I can probably bring back ten of the fifteen.
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I love dogs. I have a Golden Doodle and an Alaskan Klee Kai.
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I always see where I didn't do things the right way. I only see the heavy lifting. That's a bit of my wisdom, if you want to call it that.
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Writers are so important.
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For me the rehearsal period is the part I most enjoy. It's the creating of the story.
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There are so many stories from the Midwest that should be told. L.A. tells one story, and it's often about itself.
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A little knowledge is a dangerous thing, but a little want of knowledge is also a dangerous thing.
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I have to really think hard about how to structure sentences, and do more mapping when I sit down to write, so it does impose a certain discipline, intellectual and linguistic.
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I think that what's perceived as punk out in shopping malls or in chain stores or on MTV has almost nothing to do with what punk is about.
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If we actually supported these gay artists and pumped money behind them the same way they pump money behind these divas, a conversation of homophobia in hip hop wouldn't be. Because I would have the money and the revenue coming in. It's not about homophobia or who's going to push back. It's all about who's supporting you and where there's money from.
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I'm not one that just throws music out there to keep it coming, and all that. I believe in the craft, and the time it takes to really nurture something and put a lot of effort into the details.
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Time passes, Time the consoler, Time the anodyne.
