William Makepeace Thackeray Quotes
Quotes to Explore
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When I was 13, I had these episodes where I could just see the world without any words attached to it, without any associations. It was a little bit spooky. A lot of people might have even thought it was pathological. I thought it was interesting.
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I have fun going on Twitter and the Internet. I feel safe and comfortable, and I wish everyone could feel that way.
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It's hard to bring up your children on benefit. It's easier if you can do part- time work, or even full-time work, and actually have a better standard of living, and that's the direction in which we are going.
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I've been accused of having very long ingredient lists, and I guess there's some truth in that.
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It makes no difference whether a work is naturalistic or abstract; every visual expression follows the same fundamental laws.
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Waiting for me in Stockholm will be a personal assistant - Katrina from the Ministry for Foreign Affairs - as well the secretary of the Swedish Academy. They'll help us with our things and take us to our hotel. From the moment I arrive, I'll always be together with the other two laureates.
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Some people feel that what we're doing makes no sense, that it's just a waste of money. But it's working.
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Immigrants use the library often. A lot of them don't have access to books and Internet at home. They seem so disconnected to the city.
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At the end of the spectrum when you get to that 12th step, when you have that spiritual awakening we make ourselves available to help other people.
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You trivialize the idea of competition totally, then there's no point in having the competition in the first place, and everybody is getting a trophy.
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When I'm singing I feel like I'm talking to someone. I'm in conversation when I perform - either with myself or with whomever is listening.
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What do I know of man's destiny? I could tell you more about radishes.
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Eighty-five per cent of the crowd is going to fall in love with me - they're going to feel it, wow. But fifteen per cent are going to think, 'This guy is obnoxious.' I spend enormous time with them - every negative review of 'Crush It!' on Amazon has a response from me - and I can probably bring back ten of the fifteen.
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I love dogs. I have a Golden Doodle and an Alaskan Klee Kai.
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I always see where I didn't do things the right way. I only see the heavy lifting. That's a bit of my wisdom, if you want to call it that.
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Writers are so important.
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For me the rehearsal period is the part I most enjoy. It's the creating of the story.
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There are so many stories from the Midwest that should be told. L.A. tells one story, and it's often about itself.
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I grew up in Chelsea on 22nd Street... I am really a native New Yorker.
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Slapped her then I asked her what's my name. She said N-I-C, the president of the N-Y-C.
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On the first album, we were trying to do a pop-punk album with a classical influence. We'd say 'pop-punk,' and people would say, 'No, you're like burlesque-cabaret-punk,' or, 'It's baroque-pop,' and we were like, 'That sounds way cooler.'
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But at a time when our discourse has become so sharply polarized - at a time when we are far too eager to lay the blame for all that ails the world at the feet of those who think differently than we do - it's important for us to pause for a moment and make sure that we are talking with each other in a way that heals, not a way that wounds.
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I was raised in Kenya, and I always wanted to be an actor from when I was really, really little, but the first time I thought it was something that I could make a career of was when I watched 'The Color Purple.' I think I was nine, maybe, and I saw people that looked like me - Whoopi Goldberg and Oprah.
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Time passes, Time the consoler, Time the anodyne.