Alfred Bertram Guthrie Quotes
The adjective is the enemy of the noun and the adverb the enemy of damn near everything else. Nouns and verbs are the guts of the language.
Quotes to Explore
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With 'True Grit,' the language was very specific, as is Shakespeare. You couldn't really improvise, nor would you really ever have to. I never felt the need to. It was all so beautifully written, and it was all right there.
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Writing a tribe is fun. They have their own language, their own slang; they repeat it, and it becomes part of the texture of the play. For a writer, that's thrilling. That's when my pen flies.
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Yiddish, originally, in Eastern Europe was considered the language of children, of the illiterate, of women. And 500 years later, by the 19th century, by the 18th century, writers realized that, in order to communicate with the masses, they could no longer write in Hebrew. They needed to write in Yiddish, the language of the population.
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Genes are like the story, and DNA is the language that the story is written in.
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I loved everything about Spain - the people, the language, and the food!
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Philosophy is written in this grand book, the universe, which stands continually open to our gaze. But the book cannot be understood unless one first learns to comprehend the language and read the letters in which it is composed.
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The relations between rhetoric and ethics are disturbing: the ease with which language can be twisted is worrisome, and the fact that our minds accept these perverse games so docilely is no less cause for concern.
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Language that is designed to dehumanize has consequences.
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The cinematic language and interior destiny of each Iranian film-maker is different. The international influences on them vary from Rossellini to Fellini, Akira Kurosawa to Hou Hsiao-hsien, but there is a strong sense of solidarity.
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Afrikaans is my first language, although you would never know, as my English accent has more of an American-British thing going on from all my years of travelling.
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I think literary theory has not been terribly good for English studies in a while. It's not that theory isn't interesting, but it isn't about books, or the idiosyncrasies and complexities of putting language together.
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I dislike Allegory - the conscious and intentional allegory - yet any attempt to explain the purport of myth or fairytale must use allegorical language.
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Language is the mother of thought, not its handmaiden.
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If you can't hear language, you won't be able to understand language and experience normal development. Every minute spent without hearing is a minute a child is not getting back.
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A gloss is a total system of perception and language.
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If I didn't have children I might be more of a lush than I am. I like booze. I struggle with smoking. And I'm a big swearer. I'm trying to rein it in but I do think it's a nice seasoning of language.
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China's cinema has been rising for some time; it has more exposure, so my chances of becoming internationally known are better. But the first thing I have to do is learn English. If I can grasp the language, then perhaps I can think about the U.S.
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There was an exhibition in Munich in 1937, 'Degenerate Art,' which included work by Klee, Kandinsky, Beckmann and many others. The work was called 'sick' and put in the trash heap. The sentiments expressed toward contemporary art by Jesse Helms, Pat Robertson and Mayor Giuliani recall the language used by the Nazis.
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Accent is the soul of language; it gives to it both feeling and truth.
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I'm very interested in the materiality of language. I wonder if, perhaps, this comes from my background in the visual arts. I was a potter for a number of years and earned a BFA in art before going to graduate school for creative writing.
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The world is mental in some way that we do not yet understand, but that which we're edging toward understanding. And the world is made of language. I can't say that enough. Whenever we get into these discussions about reality, or effects in space and time, we are operating outside this assumption that the world is made of language.
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I play two major basses, a 4-string Stuart Spector bass, which I've played now for about 16 years, and a Hamer 5-string.
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The adjective is the enemy of the noun and the adverb the enemy of damn near everything else. Nouns and verbs are the guts of the language.
