Alfred Bertram Guthrie Quotes
The adjective is the enemy of the noun and the adverb the enemy of damn near everything else. Nouns and verbs are the guts of the language.
Quotes to Explore
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With 'True Grit,' the language was very specific, as is Shakespeare. You couldn't really improvise, nor would you really ever have to. I never felt the need to. It was all so beautifully written, and it was all right there.
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Writing a tribe is fun. They have their own language, their own slang; they repeat it, and it becomes part of the texture of the play. For a writer, that's thrilling. That's when my pen flies.
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Yiddish, originally, in Eastern Europe was considered the language of children, of the illiterate, of women. And 500 years later, by the 19th century, by the 18th century, writers realized that, in order to communicate with the masses, they could no longer write in Hebrew. They needed to write in Yiddish, the language of the population.
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To achieve the very pinnacle of good taste, the neoclassicists wrote their plays entirely in alexandrine verse, a rarefied meter that is uniquely tailored to the French language and fits no other.
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Genes are like the story, and DNA is the language that the story is written in.
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I loved everything about Spain - the people, the language, and the food!
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Philosophy is written in this grand book, the universe, which stands continually open to our gaze. But the book cannot be understood unless one first learns to comprehend the language and read the letters in which it is composed.
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The relations between rhetoric and ethics are disturbing: the ease with which language can be twisted is worrisome, and the fact that our minds accept these perverse games so docilely is no less cause for concern.
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Language that is designed to dehumanize has consequences.
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The cinematic language and interior destiny of each Iranian film-maker is different. The international influences on them vary from Rossellini to Fellini, Akira Kurosawa to Hou Hsiao-hsien, but there is a strong sense of solidarity.
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Afrikaans is my first language, although you would never know, as my English accent has more of an American-British thing going on from all my years of travelling.
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I think literary theory has not been terribly good for English studies in a while. It's not that theory isn't interesting, but it isn't about books, or the idiosyncrasies and complexities of putting language together.
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I dislike Allegory - the conscious and intentional allegory - yet any attempt to explain the purport of myth or fairytale must use allegorical language.
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Language is the mother of thought, not its handmaiden.
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If you can't hear language, you won't be able to understand language and experience normal development. Every minute spent without hearing is a minute a child is not getting back.
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A gloss is a total system of perception and language.
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If I didn't have children I might be more of a lush than I am. I like booze. I struggle with smoking. And I'm a big swearer. I'm trying to rein it in but I do think it's a nice seasoning of language.
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China's cinema has been rising for some time; it has more exposure, so my chances of becoming internationally known are better. But the first thing I have to do is learn English. If I can grasp the language, then perhaps I can think about the U.S.
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What WE represent is the nexus of concrescent novelty that has been moving itself together, complexifying itself, folding itself in upon itself for billions and billions of years. There is, so far as we know, nothing more advanced than what is sitting behind your eyes. The human neocortex is the most densely ramified complexified structure in the known universe.
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I've always been just as interested in making people think as I am in making them feel, and one of the things this scientific process allows me to do is make the audience look differently at dance.
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To be Negro in America is to hope against hope.
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A people that wants to be free must arm itself with a free press.
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The adjective is the enemy of the noun and the adverb the enemy of damn near everything else. Nouns and verbs are the guts of the language.
