Tina Weymouth Quotes
In Europe they understand that the arts are incredibly important both culturally and economically.
Quotes to Explore
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The world of fiction is a sovereign world that comes to life in the author's head and follows the rules of art, of literature. And that is the major difference that is reflected in the form of the work, in its language and its plot. An author invents every aspect of a fiction, every detail.
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Everyone knows that metaphors are important, yet we have no idea why.
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What is really important for a woman, you know, even more than being beautiful or intelligent, is to be entertaining.
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I think it's important to be diverse, and I hope we continue to see that as a trend in the fashion industry.
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We are protecting Europe according to European rules that say borders can be crossed only in certain areas in a controlled way and after registration.
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When we consider the fact that nearly three-quarters of the surface of the globe is covered by oceanic water, we begin to realise that the molecular scattering of light in liquids may possess an astronomical significance, in fact contribute in an important degree to the observed albedo of the earth.
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It is very important that a leader in the hotel industry be both creative, I think, and compassionate.
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There are certain things that Americans expect their government to do. Our infrastructure is vitally important. Putting people back to work with construction is important. Our roads, our bridges, our sewers, our waterways, our dams - this is what makes our country so special.
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I think any of us who have been involved in the mission of Iraq have developed a great deal of affection for the Iraqi people and are emotionally invested in what we think is a vital mission... So I think any of my contemporaries would welcome the opportunity to go back and make a contribution to this extraordinarily important mission.
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But I feel music has a very important role in ritual activity, and that being able to join in musical activity, along with dancing, could have been necessary at a very early stage of human culture.
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It was important that I got my own voice out there in the world. I'd used it on other people's films, collaborated, and I thought, 'You know, I can do this myself.' That was more important than anything else.
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The world of painting has nothing to do with the art world.
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Formally, I did my studies in the sciences, but I was very conscious that I was being deprived of culture. While studying neuroscience, I was running a rock-music festival and was able to use that as a platform to explore what it takes to produce art for 20,000 inebriated 20-somethings.
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I chose to paint because the medium as such has a particular meaning. It is almost synonymous with what is popularly viewed as Art - art with a capital A-with all the glory, the piety, and the authority that it commands.
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I do make some conscious efforts to write female friendships, intergenerational female friendships. I make a conscious effort to include things that I see as important real parts of my life that are not reflected as much as I think they should be in popular culture. We very seldom have the opportunity to see women compete and remain friends.
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Essential oils are extremely important to me.
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Science is what we understand well enough to explain to a computer. Art is everything else we do.
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Somehow, whenever we think about race or blackness in relationship to art, we always come in kind of nervous. We always think someone's about to be punished or accused of something.
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One of the most important things for me in terms of my working method is doubt. I get very insecure about my ideas. And I don't say 'insecure' in kind of a paranoid way. I mean just: 'Are they good enough?' 'Is this the right thing to do?' I really beat myself up over that.
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The art of living is the art of knowing how to believe lies.
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Memories are killing. So you must not think of certain things, of those that are dear to you, or rather you must think of them, for if you don’t there is the danger of finding them, in your mind, little by little.
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Compliant children are very easily led when they are young, because they thrive on approval and pleasing adults. They are just aseasily led in their teen years, because they still seek the same two things: approval and the pleasing their peers. Strong-willed children are never easily led by anybody--not by you, but also not by their peers. So celebrate your child's strength of will throughout the early years...and know that the independent thinking you are fostering will serve him well in the critical years to come.
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Some defeats are only installments to victory.
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In Europe they understand that the arts are incredibly important both culturally and economically.
