Tituss Burgess Quotes
There's a bit of a difference in the way he sounds. Samuel E. Wright lent his voice and personality to the animated film with his booming voice. I have a high-tenor voice. Instead, I have to figure out a way to convince the audience to come along with me and accept this new texture and tambour to the way Sebastian sounds. I have a great dialect coach.
Quotes to Explore
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I think, doing a first film, at some point you get halfway through, and you wonder, 'Is this is good enough to define who I am for the coming decade?'
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I just enjoy being onstage and relating to the audience.
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When you are performing in theater, you feel so connected to your audience. It's exhilarating!
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I don't think about who the audience is for my books.
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The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.
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When you're in theater or the circus or film - to me it's all one - affairs happen. People fall in love.
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I have kind of a personality defect in that I find the word 'no' hard to articulate.
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I don't have a director. The audience directs me.
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I'm just very pleased and thankful that there was a receptive audience of people that I was able to connect with.
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Compared with other Indian film composers, I only write about six movies a year. Others write up to 60.
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Trying to guess what the (mass) audience wants and then trying to satisfy that is usually a bad recipe for getting something good.
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If I have any audience, they can know that anything I am in, I would go see, with the expectation of being really satisfied.
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I love moments in film where there's no dialogue, and somebody communicates something with a look that kills you. That's why I love going to the cinema.
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With 'Girls,' it doesn't really feel like I'm doing TV specifically. It just feels like we're making a really long film.
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A film has its own life and takes its own time.
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When you're struggling to get a feature film off the ground, there's no big overarching tenure plan or anything like that.
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To get scared is something not in my personality.
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I love film. I've always been enchanted by doing film. It's something I grew up watching - classics and directors I admire - so that's something I've always been passionate about.
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I wasn't trying to be a role model with 'The Dutchess,' but suddenly, seeing little girls in the audience with their moms made me think about what I do onstage a little bit more. I had to watch my mouth, because it can be filthy. It changed things for me.
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Burn pedants in pale fire. Accept no fashions. Be your own fashion. Do not rely on earlier triumphs. Be new at each appearance.
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Well, you got to remember, bin Laden killed 3,000 Americans and, in some ways, he and his ideology killed tens of thousands of his fellow Muslims, including Pakistanis. I understand that that was provocative and complicated for Pakistan, but only if you accept the idea that he was an acceptable member of Pakistani society.
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I had lots of posters on my bedroom wall of players like Zico, many Brazilian and Italian players, not many players in particular but I loved football so much and I especially loved skilful players.
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Writing New People I was thinking a lot about the era that I came of age - the 90's. Brooklyn, in particular, this moment when I lived there. The sense of possibility. I was also trying to find a way to write about Jonestown. I had read about it a lot and I had the sense that the story could really start to drive one over the edge.
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There's a bit of a difference in the way he sounds. Samuel E. Wright lent his voice and personality to the animated film with his booming voice. I have a high-tenor voice. Instead, I have to figure out a way to convince the audience to come along with me and accept this new texture and tambour to the way Sebastian sounds. I have a great dialect coach.
