Tituss Burgess Quotes
There's a bit of a difference in the way he sounds. Samuel E. Wright lent his voice and personality to the animated film with his booming voice. I have a high-tenor voice. Instead, I have to figure out a way to convince the audience to come along with me and accept this new texture and tambour to the way Sebastian sounds. I have a great dialect coach.
Quotes to Explore
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I just enjoy being onstage and relating to the audience.
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When you are performing in theater, you feel so connected to your audience. It's exhilarating!
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I don't think about who the audience is for my books.
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The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.
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When you're in theater or the circus or film - to me it's all one - affairs happen. People fall in love.
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I have kind of a personality defect in that I find the word 'no' hard to articulate.
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I don't have a director. The audience directs me.
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I'm just very pleased and thankful that there was a receptive audience of people that I was able to connect with.
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Compared with other Indian film composers, I only write about six movies a year. Others write up to 60.
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Trying to guess what the (mass) audience wants and then trying to satisfy that is usually a bad recipe for getting something good.
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If I have any audience, they can know that anything I am in, I would go see, with the expectation of being really satisfied.
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I love moments in film where there's no dialogue, and somebody communicates something with a look that kills you. That's why I love going to the cinema.
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With 'Girls,' it doesn't really feel like I'm doing TV specifically. It just feels like we're making a really long film.
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A film has its own life and takes its own time.
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When you're struggling to get a feature film off the ground, there's no big overarching tenure plan or anything like that.
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To get scared is something not in my personality.
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I love film. I've always been enchanted by doing film. It's something I grew up watching - classics and directors I admire - so that's something I've always been passionate about.
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I wasn't trying to be a role model with 'The Dutchess,' but suddenly, seeing little girls in the audience with their moms made me think about what I do onstage a little bit more. I had to watch my mouth, because it can be filthy. It changed things for me.
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All I can say is that I am not one of those writers who want 100% of their book in the film. I recognize that film is a different medium and the filmmaker must have the right to bring some new elements to the table, provided the soul of the book is preserved.
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The point is that if you accept that there is only one energy in all things, then on an energy level there is no giving or receiving - just energy moving around within itself. It's only the ego that sees a separateness in things. So the ego will say, "The Cadillac went from Harry to Sally." But on an infinite level, it is neither Harry's nor Sally's, it is a part of all things. It is. Where it finds itself and whose name is on the owner's manual is irrelevant.
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I think people who really want to do something do it. No matter what. And they won't quit until they do it.
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The secret of success is learning how to use pain and pleasure instead of having pain and pleasure use you. If you do that, you're in control of your life. If you don't, life controls you.
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There's a bit of a difference in the way he sounds. Samuel E. Wright lent his voice and personality to the animated film with his booming voice. I have a high-tenor voice. Instead, I have to figure out a way to convince the audience to come along with me and accept this new texture and tambour to the way Sebastian sounds. I have a great dialect coach.
