Tituss Burgess Quotes
There's a bit of a difference in the way he sounds. Samuel E. Wright lent his voice and personality to the animated film with his booming voice. I have a high-tenor voice. Instead, I have to figure out a way to convince the audience to come along with me and accept this new texture and tambour to the way Sebastian sounds. I have a great dialect coach.
Quotes to Explore
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I just enjoy being onstage and relating to the audience.
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When you are performing in theater, you feel so connected to your audience. It's exhilarating!
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I don't think about who the audience is for my books.
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When you're in theater or the circus or film - to me it's all one - affairs happen. People fall in love.
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I have kind of a personality defect in that I find the word 'no' hard to articulate.
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I don't have a director. The audience directs me.
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I'm just very pleased and thankful that there was a receptive audience of people that I was able to connect with.
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Compared with other Indian film composers, I only write about six movies a year. Others write up to 60.
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Trying to guess what the (mass) audience wants and then trying to satisfy that is usually a bad recipe for getting something good.
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If I have any audience, they can know that anything I am in, I would go see, with the expectation of being really satisfied.
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I love moments in film where there's no dialogue, and somebody communicates something with a look that kills you. That's why I love going to the cinema.
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With 'Girls,' it doesn't really feel like I'm doing TV specifically. It just feels like we're making a really long film.
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A film has its own life and takes its own time.
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When you're struggling to get a feature film off the ground, there's no big overarching tenure plan or anything like that.
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To get scared is something not in my personality.
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I love film. I've always been enchanted by doing film. It's something I grew up watching - classics and directors I admire - so that's something I've always been passionate about.
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I wasn't trying to be a role model with 'The Dutchess,' but suddenly, seeing little girls in the audience with their moms made me think about what I do onstage a little bit more. I had to watch my mouth, because it can be filthy. It changed things for me.
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All I can say is that I am not one of those writers who want 100% of their book in the film. I recognize that film is a different medium and the filmmaker must have the right to bring some new elements to the table, provided the soul of the book is preserved.
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I miss animation very passionately. Not continuously, but every once in a while I would die to do another film.
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I don't mean to sound grandiose, but there's something universal that you tap into with films like Feast of July and Schindler's List. You know they aren't make-believe. They illustrate something about life. This is my major concern whenever I select a film
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She didn't like to say things flatly, but sometimes it is the perfect antidote to someone trying to convince you the noose in their hand is a lovely silk ribbon for your hair.
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I played to the biggest audience I've ever played to in my life in New Zealand. I couldn't see the end of the crowd. I understand it was over 200,000 people in a park somewhere.
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Often, overeating is a way to punish yourself for the anger and resentment you're feeling - either at yourself or someone else.
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There's a bit of a difference in the way he sounds. Samuel E. Wright lent his voice and personality to the animated film with his booming voice. I have a high-tenor voice. Instead, I have to figure out a way to convince the audience to come along with me and accept this new texture and tambour to the way Sebastian sounds. I have a great dialect coach.
