Tobias Menzies Quotes
Quotes to Explore
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It is nothing to die. It is frightful not to live.
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We need to find the courage to say no to the things and people that are not serving us if we want to rediscover ourselves and live our lives with authenticity.
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It's not enough to attend church and pray every Sunday; you have to act.
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How do I act so well? What I do is I pretend to be the person I'm portraying in the film or play.
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I think I have a right to live my life the way I like.
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Playing live is everything. Sometimes being on the road is hard, and it's a lot of work, and tiring. From a musical point of view, you improve all the time. Not only that, but you learn how to deal with people and deal with energy in a live setting.
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I primarily live in New York City, a place that is about constants, not letting up and not stopping.
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To retire is to begin to die.
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I think stupid people are surprised that I'm Australian. It's a small-minded; we live in a global community, but I suppose some people still are small-minded.
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We look at science as something very elite, which only a few people can learn. That's just not true. You just have to start early and give kids a foundation. Kids live up, or down, to expectations.
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I don't know if it's possible to live the rock 'n roll lifestyle and still be romantic.
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The minute your parents die, you stop fighting them. I realized the more I changed my face for films, the more I looked like him. I always liked to disguise myself because I was trying to run away from his image. But all that is not worth it.
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In a free society, government reflects the soul of its people. If people want change at the top, they will have to live in different ways. Our major social problems are not the cause of our decadence. They are a reflection of it.
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In the absence of a Congress ready to act to reduce gun violence, we will keep working to create a different Congress.
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I tell you the past is a bucket of ashes, so live not in your yesterdays, no just for tomorrow, but in the here and now. Keep moving and forget the post mortems; and remember, no one can get the jump on the future.
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It bothers me that I won't live to see the end of the century, because, when I was young, in St. Louis, I remember saying to Marilyn, my sister by adoption, that that was how long I wanted to live: seventy years.
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I guess I really always wanted to act. When I was seven, I actually had the opportunity to come out to California. I've always really loved playing a part, playing a character and being someone else.
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Chicago is where the whole idea of community policing began. It remains the - the best and the most comprehensive approach we have in changing the everyday conditions that breed crime and violence - and then breed mistrust. We have more work to do. We need better training to live up to the values and the principles of community policing.
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We live in an age which eschews sentimentality as if it were a good deal more than the devil. (Actually, of course, a writer may be just as sentimental in laying undue emphasis on sexual crimes as on dying mothers: sentimental, like scientific, is an adjective that relates to method, not to matter.)
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Ambition breaks the ties of blood, and forgets the obligations of gratitude.
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My parents' marriage was very rocky. They were always arguing. When they split up when I was in my 20s, my brother and I were both delighted because we knew they weren't good for each other.
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I'm opinionated. I always stick to my design plan. I don't waver.
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The '80s market was only a Japanese market. It was the Japanese outbidding each other for the most expensive works of art. When the Japanese economy went down the tubes, there was no one left to pay the prices that have been recorded for all of those works.
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I live or die by how well I act.
