J. Tillman Quotes
My last album as J. Tillman, 'Singing Ax,' that was really a premeditated death rattle of the aesthetic precedent I had set. I realized I wasn't creating spontaneously; I was enforcing all these parameters. I was too self-loathing or something, and there was this obvious dissonance between my conversational voice and creative voice.
Quotes to Explore
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He who fears to weep, should learn to be kind to those who weep.
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The U.S. economy and workers benefit from a strong, healthy relationship between government and business.
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I come before you to declare that my sex are entitled to the inalienable right to life, liberty, and the pursuit of happiness.
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I've always wanted to do a period piece.
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I wouldn't say no to becoming a Bond girl. Making it in Hollywood has been my dream ever since I was little, watching Marilyn Monroe movies. To star in a Bond movie would be bliss on a stick.
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The interest on our debt is going to collapse this country.
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I have always hated slavery, I think, as much as any abolitionist. I have been an Old Line Whig. I have always hated it, but I have always been quiet about it until this new era of the introduction of the Nebraska Bill began.
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Bob Rubin was opposed to signing the welfare bill. He's not exactly what I call a flaming liberal.
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As the bill requires, any terror alert system must give people and organizations some indication about what steps they must take to improve their own security and assist in the Nation's security.
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Democracy presumes that we're all created equal; competition proves we are not, or else every race would end in a tie.
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I was born technically in D.C., and then my family moved to the Columbia area when I was in elementary school. It was right on the line between Clarksville and Columbia in Howard County. I remember it being just like a peaceful, safe atmosphere. I always felt connected to the woods and that whole suburban feel.
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I've been lucky to ride 10 different horses at the Olympics. I'd like to think that of all of them, Big Ben - who was inducted into the Canadian Sports Hall of Fame - would still be competitive in the contemporary sport.
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When I was around 15, I did my first movie. I was at a kids' agency, and the third time I was invited to an audition, they offered me a little part in some kiddie thing, and I earned my first money. I was very proud that I could buy my first mountain bike with my own money.
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Further, there are things of which the mind understands one part, but remains ignorant of the other; and when man is able to comprehend certain things, it does not follow that he must be able to comprehend everything.
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Fallible characters are more interesting than superheroes in the end.
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The good parts about being a public company are increased discipline, increased execution and increased transparency to make sure that you are really building a company for a hundred years.
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The thing I don't like about detective stories is looking for criminals.
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I wonder, 'Why did I do that line that way?' And I also constantly think I'm fat and hate my teeth. But I've gotten better over the years. I've started to accept.
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I'm drinking lots of rum and popping pinks and greys.
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Louise Frogley is a brilliant designer. I always find her wardrobe fittings really informative and creative. Together, you kick images and ideas around.
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No nation has embraced Total Quality Management, e-commerce and e-government with greater enthusiasm than Dubai. Such innovations have given Dubai a competitive edge and an accelerated growth rate that few could match.
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Stereotyping of any race or culture is narrow-minded, and I can't wait to help break the shackles.
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Geology does better in reclothing dry bones and revealing lost creations, than in tracing veins of lead and beds of iron; astronomy better in opening to us the houses of heaven than in teaching navigation; surgery better in investigating organiation than in setting limbs; only it is ordained that, for our encouragement, every step we make in science adds something to its practical applicabilities.
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My last album as J. Tillman, 'Singing Ax,' that was really a premeditated death rattle of the aesthetic precedent I had set. I realized I wasn't creating spontaneously; I was enforcing all these parameters. I was too self-loathing or something, and there was this obvious dissonance between my conversational voice and creative voice.
