Karen Mills Quotes
Quotes to Explore
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I could not write about 'ordinary people' because I am not in the least interested in them.
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When I write sad songs, I feel like I'm sewing up a scar in me, and the outcome always feels so much better than when I write happy ones.
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Art has nothing to do with politics. It is the freest thing in the world.
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I'm not a writer; I'm an actor. My job is to take whatever character I'm given and - especially because I have the responsibility of being a black actress, and I know young black girls are looking up, and everyone's looking to what's on television - to just try to give whatever character I'm playing as three-dimensional a portrayal as I can.
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The most inspiring objects are books. I have about 5,000 volumes in my home library. It's an unending source of visuals and ideas.
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In 1995, the Clinton Administration reached an agreement with Cuban government that any refugee caught at sea would be sent back to Cuba while any refugee who reaches the United States shores would be allowed to begin the process to citizenship after one year.
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I grew up in a village of 12 houses. We had a well and a cow.
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I don't speak Spanish, I speak a little of Italian but no Spanish.
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He who improves an opportunity sows a seed which will yield fruit in opportunity for himself and others.
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If you go to an elite school where the other students in your class are all really brilliant, you run the risk of mistakenly believing yourself to not be a good student.
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Chinese people need to be controlled; otherwise, they will do whatever they want.
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I've always thought that design can have equal importance to the idea of internal architecture. Professionally, things can be very dogmatic - you do the architecture, someone else does the interiors, someone else does the furniture, the fabric, etc. But I think design is all-encompassing.
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If you always feel like an imposter, you work harder, and that makes you better at your job. You've got to keep a level of variation; otherwise, you'll end up talking about nails and beauty products all the time.
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I don't think that my work is very moralistic - at least, I try to avoid that. I grew up with that sermonising tendency, and I don't think visual work operates like that.
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I just try to keep myself a traditionalist. I liked being an underground comic doing my thing. I want to maintain that. I just do.
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As a kid, I dreamed of being a pop star, a glamorous woman and traveling the world. And I've done that all my life.
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Sometimes, poor people don't smell too good, so love can have no nose.
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My dad said, 'Cam, you can make this situation a dream or you can make this situation a nightmare.' That struck a fire under me. That was my drive.
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The games I'm playing have much more to do with using the language of power and the vocabulary of power to construct new sentences. It's about pointing to empire and control and domination and misogyny and all those social ills in the work, but it's not necessarily taking a position. Oftentimes, it's actually embodying it.
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I was failed in all other aspects of filmmaking and was completely bankrupt because my dreams were higher than realities. So I started my acting school in a small room with 12 students to prepare future actors and actresses.
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Most people read poetry listening for echoes because the echoes are familiar to them. They wade through it the way a boy wades through water, feeling with his toes for the bottom: The echoes are the bottom.
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Small businesses are really the engine in the economy.
