Molly Parker Quotes
Quotes to Explore
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I don't think what I look like is relevant.
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The fans are always at the hotel waiting, they like to get pictures and autographs. I enjoy it all, the displays of love and support at the hotel and the shows.
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I did documentaries for maybe 10 years before I turned to fiction films.
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We think a modern cloud lets you decide when you want to upgrade. We don't decide for you.
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One of the duties of fortitude is to keep the weak from receiving injury; another, to check the wrong motions of our own souls; a third, both to disregard humiliations, and to do what is right with an even mind. All these clearly ought to be fulfilled by all Christians, and especially by the clergy.
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Writing humor for me is more like a watchful-ness. You have to watch. When you say something funny, or someone else does, it's more like you wait for the piece.
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Politicians are so detested. And the main cause is not policy; it's the fact that there is no trust.
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The project which we developed, however, was for a sound piece and I was initially curious that a sculptor should be interested in working with a musician, especially on a project for radio.
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People in Tulsa are totally friendly; the crowds are very nice.
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It's probably fair to say that the ratio of time our Connector developers spend in the debugger versus the Emacs buffer is higher than with most software.
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When I look at my body of work, I've played a lot of characters who are morally conflicted - 'I'm right, no I'm wrong, I don't know what to do!' I want to play more characters who don't care as much, and who aren't as measured. They are what they are, no apologies.
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At the end of the day we want to bring stability and hope to Iraq. That's the only way to defeat terrorism.
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I'm one of those people that I make a song... then I write another song and then I'm like, 'But this song is so much better than this song,' and then I kind of ditch that song. It's a long process.
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I get to know my regular fans, and they inspire me.
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Work done illegally outdoors or without permission feels like pure freedom to me. I understand how it can upset many in our society, but in the bigger picture, it is ultimately about freedom. We are living in a time where public space has become a commodity for corporations to control and dictate what is seen and heard.
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When I was a child, I loved 'The Marble Faun' by Nathaniel Hawthorne. The reason I liked it was because it had a beautiful binding. When you're a kid, you like books because they're pretty to look at, and this one had a white calfskin cover and gold edges. That was enough to make me love it.
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There is no need for temples, no need for complicated philosophies. My brain and my heart are my temples; my philosophy is kindness.
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The world that she lives in is just magical, one of the most beautiful places I've ever seen.
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It is vitally important for me, both personally and for my writing, to be able to return to China freely, so being barred entry has caused me deep concern and distress.
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The power and magic of music lie in its intangibility and its limitlessness. It suggests images, but leaves us free to choose them and to accommodate them to our pleasure.
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I took a Ferrari under the 405 freeway. We took rent-a-cars through the desert. That was fun.
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The role of liquidity in systemic events provides yet another reason why, in the future, a more system wide or macroprudential approach to regulation is needed.
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Whenever we cannot love in the old, human way . . . God can give us the perfect way.
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The landscape you grow up in speaks to you in a way that nowhere else does.
