William Shakespeare Quotes
Quotes to Explore
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In any art, you don't know in advance what you want to say - it's revealed to you as you say it. That's the difference between art and illustration.
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I love to cook. My dad's a really excellent cook and his style is: Look in the fridge and make whatever there is with whatever ingredients you have and I like cooking like that, too.
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I've learned in my life that it's important to be able to step outside your comfort zone and be challenged with something you're not familiar or accustomed to. That challenge will allow you to see what you can do.
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It seems to me that trying to live without friends is like milking a bear to get cream for your morning coffee. It is a whole lot of trouble, and then not worth much after you get it.
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It is part of my responsibility as a bridge builder to speak the truth about what's great about America, what we've done right, and what our less glorious moments. And many people feel that the Iraq adventure, for example, has been one of our less glorious moments.
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Anytime you have a tight race and you lose, it's not pleasant.
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She knew what all smart women knew: Laughter made you live better and longer.
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Airplanes are interesting toys, but of no military value.
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When you go all over the world for work, your dream vacation is your bedroom.
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A person isn't who they are during the last conversation you had with them - they're who they've been throughout your whole relationship.
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Of course the job has a lot of glamour. But it really is about being smarter than your average bear. Your mind is your best weapon. It's great when you're a good shot with an AK-47, but it's about being clever.
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There are more than 200,000 people in Maputo who are nothing more than parasites.
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First of all, just to get Diner made would have been an achievement in that I got a chance to direct.
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I love the Middle East. My earliest childhood memories are of Jerusalem. I love the colors and smells and cadence of Arabic spoken in the streets of Cairo or Beirut. I also love the modernity and verve of Tel Aviv.
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My favorite part of the whole filmmaking process is working with a fantastic cinematographer, a fantastic actor or actors, and then just creating emotions and stories. I get so excited by that. That's the part I'm utterly addicted to.
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I can't hold a grudge anyway.
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I'm more of a tough girl, and I'm attracted to things that reflect that in my perfumes. That means sandalwood, musk, amber, and vanilla notes.
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When the movie starts playing on TV and DVD, that's when you really see what the movie is.
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Being understood is not the most essential thing in life.
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It's but little good you'll do a-watering the last year's crop.
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The thing that you learn in directing is that when you're on the floor, no matter how complex the shooting is...you have to remain absolutely sensitive to every nuance of the behavior of the people around you. Because, ultimately, if you don't keep in mind the overall humanity, then the machine takes over and suddenly all you have are technically fine shots, technically good performances. The story's being told, but something's lacking, something mysterious, indefinable.
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If we study Japanese art, we see a man who is undoubtedly wise, philosophic and intelligent, who spends his time doing what? He studies a single blade of grass.
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In matters of equity between man and man, our Saviour has taught us to put my neighbor in place of myself, and myself in place of my neighbor.
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O momentary grace of mortal men, Which we more hunt for than the grace of God!
