William Sleator Quotes
I've always been interested in both writing and music. When I first started getting published, I also worked as rehearsal pianist for the Boston Ballet, touring with them all over the U.S.A. and Europe - I wasn't making enough money from writing to support myself.

Quotes to Explore
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I grew up in an affluent suburban world and never worried about money until I'd grown up and found wonderfully original ways to screw up my life.
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I firmly believe that any man's finest hour, the greatest fulfillment of all that he holds dear, is that moment when he has worked his heart out in a good cause and lies exhausted on the field of battle - victorious.
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Because the nights bring the threat of invasion and terror to the villages, thousands of children in northern Uganda have become night commuters, leaving the nightmare of capture behind for the safety of the city.
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I had to learn to not be so hard. And I had a wife and, at that time, a partner when Samori was born, and for most of Samori's life, a partner, who, for whatever reason, did not have to learn that and was very tender and very, very soft with him.
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I've never been in a relationship before. I've only been in unrequited relationships where people haven't loved me back. I guess I'm a little bit attracted to that in a bad way.
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Every designer needs a story. Mine is all about glamour because my family has been in the business of glamour for three generations. My grandfather Shamshuddin Khan started his embroidery and fabric-making business in the 1930s.
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I am the son of a freedom fighter, and a son of a freedom fighter automatically imbibes the value of democracy.
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You don't master your fear. You're not able to say, 'I'm not going to be scared.' But what you can do is say, 'OK, I'm very very scared, but I have to do this and this and this.'
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I haven't been hit since Leon Spinks hit me in '92.
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As for the Canadians - good actors and good directors are sometimes taken by the American market, you know, if they're good enough.
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When I had dark hair I definitely felt that I was more anonymous.
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I want to be an arena act. There's so many steps to take to get there, and it's so easy to get lost and cocky. I just take small steps each day.
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When you catch a glimpse of your potential, that's when passion is born.
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My solo playing utilizes the deployment of suggestive psychic rhythms. I'll state these throughout a given piece and play thematic improvisations on top of that. I like to suggest that rhythmic movement without always playing it. I like to create openings that I can step into.
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I don't believe that in our society that we should have guns.
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I enjoy fashion and taking the effort to present myself well, and I'm glad that a lot of people refer to me as a 'Hijabster'. I'm not the greatest fan of the term, but I think girls everywhere should be confident in their own skin and be inspired to look and feel good inside and out.
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Once I got started acting I loved it.
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When I'm Los Angeles, it's work. That's what I'm there for is work.
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Saying... 'Come as you are, keep living like you do, keep your culture, and we will add all that together,' doesn't work.
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...in October 1866 I broke out as a lecturer, and from that day to this I have always been able to gain my living without doing any work; for the writing of books and magazine matter was always play, not work. I enjoyed it; it was merely billiards to me.
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Just because something isn't practical doesn't mean it's not worth creating. Sometimes beauty and real-life magic are enough.
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Separate is not equal. Civil unions are civil unions. Marriage is marriage. They're different institutions.
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I've always been interested in both writing and music. When I first started getting published, I also worked as rehearsal pianist for the Boston Ballet, touring with them all over the U.S.A. and Europe - I wasn't making enough money from writing to support myself.