William Sleator Quotes
I've always been interested in both writing and music. When I first started getting published, I also worked as rehearsal pianist for the Boston Ballet, touring with them all over the U.S.A. and Europe - I wasn't making enough money from writing to support myself.
Quotes to Explore
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I grew up in an affluent suburban world and never worried about money until I'd grown up and found wonderfully original ways to screw up my life.
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The political system is not for the people. The people are secondary to the economy. It's about what generates money, not about what benefits the people.
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I firmly believe that any man's finest hour, the greatest fulfillment of all that he holds dear, is that moment when he has worked his heart out in a good cause and lies exhausted on the field of battle - victorious.
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Because the nights bring the threat of invasion and terror to the villages, thousands of children in northern Uganda have become night commuters, leaving the nightmare of capture behind for the safety of the city.
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I had to learn to not be so hard. And I had a wife and, at that time, a partner when Samori was born, and for most of Samori's life, a partner, who, for whatever reason, did not have to learn that and was very tender and very, very soft with him.
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Society is one vast conspiracy for carving one into the kind of statue likes, and then placing it in the most convenient niche it has.
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I've never been in a relationship before. I've only been in unrequited relationships where people haven't loved me back. I guess I'm a little bit attracted to that in a bad way.
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Every designer needs a story. Mine is all about glamour because my family has been in the business of glamour for three generations. My grandfather Shamshuddin Khan started his embroidery and fabric-making business in the 1930s.
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In spite of holidays when I was free to visit London theatres and explore the countryside, I spent four very miserable years as a colonial at an English school.
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I am the son of a freedom fighter, and a son of a freedom fighter automatically imbibes the value of democracy.
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You don't master your fear. You're not able to say, 'I'm not going to be scared.' But what you can do is say, 'OK, I'm very very scared, but I have to do this and this and this.'
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I haven't been hit since Leon Spinks hit me in '92.
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As for the Canadians - good actors and good directors are sometimes taken by the American market, you know, if they're good enough.
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When I had dark hair I definitely felt that I was more anonymous.
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I want to be an arena act. There's so many steps to take to get there, and it's so easy to get lost and cocky. I just take small steps each day.
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When you catch a glimpse of your potential, that's when passion is born.
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My solo playing utilizes the deployment of suggestive psychic rhythms. I'll state these throughout a given piece and play thematic improvisations on top of that. I like to suggest that rhythmic movement without always playing it. I like to create openings that I can step into.
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I don't believe that in our society that we should have guns.
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Travel writing is harrowing. You are in paradise, more or less, having to prove it is paradise. It is hard to have a good time trying to figure out a way to say you are having a good time, whether you are having it or not, even in paradise.
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I spend a lot of time writing in New York.
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I listen to my own music now because I'm busy writing now--I started hearing some things--I'm writing all the time. When you write you have to listen. Writing music is very difficult. At a certain level the work begins to dictate itself. I write the piano score first, then I'll set down a bass line. Sometimes I'll give the bass the bottom and I'll play subordinate tones. I use very close harmonies. I like strong rhythmic ideas, too.
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Who writes your name in letters of smoke among the stars of the south? Oh let me remember you as you were before you existed.
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In f-major, c* is a sonority contained within the overtones of the tonic f*.
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I've always been interested in both writing and music. When I first started getting published, I also worked as rehearsal pianist for the Boston Ballet, touring with them all over the U.S.A. and Europe - I wasn't making enough money from writing to support myself.
