Alicia Ostriker Quotes
I love the combination of smartness, pain, and what one might call conscious postmodern trashiness in this book: a version of the erotic full of nervous tension which animates the sensuality, and also Zimroth's feeling for words, compressed, ironic, withholding, but also 'asking for it . . . the siege, the thrill, the battle fatigue.' A profoundly urban book, of harsh memory and fantasy, set in harsher reality.
Quotes to Explore
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The Sundance Institute has been vital to the film communities of Latin America.
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Kids have a great sense of humour. If you don't, you're going to miss out.
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I do think one should have clean feet.
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I don't feel American. I do feel like a New Yorker. I think there's a real distinction there. A city allows you to become a citizen even when you're not a national.
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I knew I wanted to do something creative. I didn't think I'd have the luxury of doing something like that, because I didn't know anyone who had pursued anything they really adored, but I had dreams for singing or writing.
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What I am going to tell you is this: Although it is commonly believed that the War on Terrorism is a noble effort to defend freedom, in reality, it has little to do with terrorism and even less to do with the defense of freedom.
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Poetry leads us to the unstructured sources of our beings, to the unknown, and returns us to our rational, structured selves refreshed.
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There have been times - and not just on 'The Newsroom,' but on 'The West Wing,' 'Sports Night,' 'Studio 60'... - where it was hard to look the cast and crew in the eye, when I put a script on the table that I knew just wasn't good enough.
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The day we run out of petrol is the day Iran will be free.
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Many mathematicians derive part of their self-esteem by feeling themselves the proud heirs of a long tradition of rational thinking; I am afraid they idealize their cultural ancestors.
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I want to do a big Broadway musical, at some point. I would love to do that. To do something there would be super-cool.
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I have to write 100 songs before you write the first good one.
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We need to work tirelessly to help create new jobs and good jobs here in Florida.
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I like to play with tropes.
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I would rather play Hamlet with no rehearsal than TV golf.
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Although in skating you compete with other people, anyone who achieves a certain level of success is first and foremost competing against themselves. And for me, the idea that I could always do better, learn more, learn faster, is something that came from skating.
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Israel was founded as a refuge for the Jewish people, but today it isn't a safe place. It is safer to be Jew in New York.
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I tend not to reread books, because there's always something new to discover, but Dorothy Sayers is a comfort grab for me - there's no mood so bleak or cold so bad that Lord Peter and Bunter can't make it right.
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People forget that writers start off being readers. We all love it when we find a terrific read, and we want to let people know about it.
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Take an arrow, and hold it in flame for the space of ten pulses, and when it cometh forth you shall find those parts of the arrow which were on the outsides of the flame more burned, blacked, and turned almost to coal, whereas the midst of the flame will be as if the fire had scarce touched it. This is an instance of great consequence for the discovery of the nature of flame; and sheweth manifestly, that flame burneth more violently towards the sides than in the midst.
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I think the community that you're in really can define your ability to be at peace with your circumstances.
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I think Pro Tools is pretty analogous to how people composed music on tape back in the 70s, taking little fragments of things and saying, 'How can we organize these in a sensible way'?
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I love the combination of smartness, pain, and what one might call conscious postmodern trashiness in this book: a version of the erotic full of nervous tension which animates the sensuality, and also Zimroth's feeling for words, compressed, ironic, withholding, but also 'asking for it . . . the siege, the thrill, the battle fatigue.' A profoundly urban book, of harsh memory and fantasy, set in harsher reality.
