Allan Boesak Quotes
I think "post-racial" is a dangerous trap. You can fall into complacency and give your complicity a much more dangerous character.
Quotes to Explore
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What, like Harpic?
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People realize that Salieri is not the man we saw in the Amadeus movie. That man had no talent. It was a great movie, but the Salieri character was a big fiction.
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There's gonna be a lot of great songs, but there ain't going to be another 'Trap Queen.'
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Kirstie Alley seems like she's absolutely amazing.
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If I were to remain silent, I'd be guilty of complicity.
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I work hard to be able to set myself apart from everything else that's going on in the trap genre.
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If you build a better mousetrap, you will catch better mice.
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The immiseration of the majority is an integral part of the Free World package for the Third World, the unsavory aspects of the package - the terror, the direct spoilation of people and resources, and western complicity - must be rationalized and, as far as possible, kept under the rug.
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I became a successful trap artist and we killed it in the music scene with my brothers, and guess what? It ended up really happening.
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Action is transitory, a step, a blow, The motion of a muscle, this way or that, 'Tis done--And in the after-vacancy, We wonder at ourselves, like men betrayed.
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To love God is something greater than to know Him.
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Hero. People didn't even know the meaning of the word.
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I say the last 10 percent of the way to perfection takes so much of your life that it isn't worth the effort. This overzealous attitude is what creates religious fanatics, body Nazis, and athletes who are exceedingly dull to converse with.
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Romeo wants Juliet as the filings want the magnet; and if no obstacles intervene he moves towards her by as straight a line as they. But Romeo and Juliet, if a wall be built between them, do not remain idiotically pressing their faces against its opposite sides like the magnet and the filings with the card. Romeo soon finds a circuitous way, by scaling the wall or otherwise, of touching Juliet's lips directly. With the filings the path is fixed; whether it reaches the end depends on accidents. With the lover it is the end which is fixed, the path may be modified indefinitely.
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It is not poverty that we praise, it is the man whom poverty cannot humble or bend.
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I think "post-racial" is a dangerous trap. You can fall into complacency and give your complicity a much more dangerous character.
