Mona Simpson Quotes
Writers collect stories of rituals: John Cheever putting on a jacket and tie to go down to the basement, where he kept a desk near the boiler room. Keats buttoning up his clean white shirt to write in, after work.
Quotes to Explore
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You can't win if you don't play as a unit.
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Never have I found the limits of the photographic potential. Every horizon, upon being reached, reveals another beckoning in the distance. Always, I am on the threshold.
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My number one thing is to recycle everything from newspaper to aluminum cans, and I even use a canvas bag instead of the plastic ones when I go to the grocery store.
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People who live in a glass house have to answer the door.
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Your barber always knows everything that goes on in the town, doesn't he?
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I consider science fiction and fantasy my genre. And I've noticed over the years that there doesn't tend to be a lot of lighthearted, comedic stuff.
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Are you used to entertaining everyone with your tales of drama and conflict? Do you get attention and feel important every time you complain about how awful this man is? Stop settling for attention for the negative stuff in your life.
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Acting was something I had to do.
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It's kinda all about image.
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When we were making KONG, I went into the sound room and made an aria of horror sounds. I was in charge of it; there was no one there to listen to me. I was totally in charge of what I wanted to do.
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I think we are all slightly down in the dumps after another loss. We may be in the wrong sign... Venus may be in the wrong juxtaposition with somewhere else.
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I don't think that's healthy for the country when anyone thinks their morals are better than anyone else's.
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One of the very basic ideas of Post-Modernism is rejection of arbitrary power structures. Different people are sensitive to different kinds of power structures.
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My ultimate goal is whenever I go on the court, I just want to be known as one of the better players.
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Tishlin’s dubious look indicated he wasn’t totally convinced this phrase contributed enormously to the information-carrying capacity of the language.
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I was always more of a Lydia Deeds than a Disney Princess, so anything offbeat like that, I would love to be a part of.
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We choose mania over boredom every time.
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If I'm not working and getting my makeup done, that's my chance to do a hair mask and a face mask and my plucking and waxing and all of that.
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'Station to Station' came out of a sense of urgency - a sense that culture, be it art, film or architecture, has become so compartmentalised. For this project, we wanted to break that and create a language that is more nomadic and less materialistic and really empowering for the creators and the audience.
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I believe today that there is no film and no shot in a film that is worth a squirrel getting a sprained ankle.
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Have you ever played a video game that didn't have escalating levels of difficulty? Well, life can feel like play, too, when we purposefully engage in activities that demand we test and develop our skills.
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I think our team kind of strives on weirdness sometimes. We have that 'rah-rah, rally' sort of American mentality that we can all kind of get around.
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Writers collect stories of rituals: John Cheever putting on a jacket and tie to go down to the basement, where he kept a desk near the boiler room. Keats buttoning up his clean white shirt to write in, after work.
