Monford Merrill "Monte" Irvin (Monte Irvin) Quotes
Oscar Charleston was the Willie Mays of his day. Nobody ever played center field better than Willie Mays. Suppose they had never given Willie a chance, and we said that, would anybody believe there was a kid in Alabama who was that good? Or there was a black guy in Atlanta who might break Babe Ruth's home run record? No.
Quotes to Explore
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All the actors I respect, especially old-Hollywood actors, the reason I think so many of them have had long careers is that there is a sort of mystery about them. You don't know what they do on Friday nights when they go home from work. You have no clue. You have this sort of fantasy about them.
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New York's my home. Born and raised. I'm a New Yorker to the bone.
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My biggest nightmare is I'm driving home and get sick and go to hospital. I say: 'Please help me.' And the people say: 'Hey, you look like...' And I'm dying while they're wondering whether I'm Barbra Streisand.
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I'd love sloth. I wish sloth would come home and visit me once in a while. I don't consider laziness a sin at all.
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Do I feel that white directors have to tell only white stories? No. Do I feel that black filmmakers should only tell stories about black people? No. If we say that, then that means Asian people cannot write about anybody but Asians. I don't think a woman should only write about women.
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Black glutinous rice works in both savoury and sweet dishes. It's a popular pudding rice in south-east Asia, where you'll often come across it cooked with water, coconut milk and a pandan leaf.
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By visiting patients in their home, by helping them come to terms with their illness, I could heal when I could not cure.
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When you're guest-starring, it's very nice, but you're there very briefly, and it's right there in the name: You're a guest. It's very hard to get a real sense of belonging. With recurring and regular roles, at least you have a sense that this is a home and a steady place.
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I don't think anybody steals anything; all of us borrow.
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We own a shopping center in Temecula that is occupied and making money. In Florida, I am doing a 500-home subdivision just north of Eglin Air Force Base.
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When I started modeling, they tried to pay black models less than they paid Caucasian models. I turned down those jobs because I knew what I was worth.
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A guy wants a classy girl who is smart and has goals - someone that he wouldn't be afraid to bring home to his parents.
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We weren't dirt poor, but there was no spare money kicking around. While it was very much understood that the way to a better life was through education, books were a luxury we couldn't afford. But when I was six, we actually moved opposite the central library, and that became my home from home.
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In the house in Beverly Hills where our four children grew up, living conditions were a few thousand times improved over the old tenement on New York's East 93rd Street we Marx Brothers called home.
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When I go home, all I wanna do is just sleep and eat.
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I think the toughest part for me was when Herschelle said that he obviously looked up to his Captain, and he felt if his Captain could do it, then so could he, and that to me was when it really struck home.
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New York is the only city that I have ever lived in that I have felt at home.
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The only crime I'm guilty of is being a young black woman.
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In the studio you can auto tune vocals, and with drums, you can put them on a grid and make them perfect. I hate that sound. When someone hands me a record and the drums are perfectly gridded and the vocals are perfectly auto tuned, I throw it out the window. I have no interest in rock music being like that.
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We were taught in school, and I was taught at home and in church, that blacks and whites were equal and we should not discriminate based on skin color, even if my school was almost entirely white.
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Fozzie Bear has so many bear puns in this script - like, 'Trac is grizzly!' 'This is unbearable!' It's the greatest.
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I'm a big fan of Katt Williams, Jim Gaffigan, Louie CK, Margaret Cho, Kathy Griffin, Rich Vas, Joey Vega and Matt Claybrooks.
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Yiddish, originally, in Eastern Europe was considered the language of children, of the illiterate, of women. And 500 years later, by the 19th century, by the 18th century, writers realized that, in order to communicate with the masses, they could no longer write in Hebrew. They needed to write in Yiddish, the language of the population.
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Oscar Charleston was the Willie Mays of his day. Nobody ever played center field better than Willie Mays. Suppose they had never given Willie a chance, and we said that, would anybody believe there was a kid in Alabama who was that good? Or there was a black guy in Atlanta who might break Babe Ruth's home run record? No.
