Morley Callaghan Quotes
Quotes to Explore
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I taught English and history, so my education for that really helped prepare me for writing historical fiction.
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When you're writing a book, you don't really think about it critically. You don't want to know too well what you're doing. First, you write the book, then you find the justification for it.
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I think you have to learn for yourself how to write. I'm slightly mystified by creative writing courses - God love them - because I can't understand how you can explain a process that I find so baffling.
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I can sit and analyze everything and beat myself up and say you don't quite sing as good as you used to, you're writing better songs maybe than you used to, but to me it's just the journey.
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You sit at your computer for hours, then slave away at your job that you may or may not like. You don't know how to explain to them that the time when you feel alive or present is when you are writing.
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Good acting is all in the writing. If it isn't on the page, then it really won't make any difference. You cannot act on force of personality alone.
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Writing for the theater, you find yourself living a nocturnal life.
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I'm quite adept at writing two or sometimes even three stories at once. So if I get stuck on one story, I switch the next and let my subconscious work on unraveling any plot problems from another story.
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Instead of writing songs for girls, I tend to write albums, which I guess is a bit weird.
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I love writing songs. I love doing my radio show and talking to the fans and listening to what they have to say, but there's a certain responsibility that comes along with being given the gift of music. I take that seriously, but at the same time I try to use it to do something that makes a difference in a positive way.
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However far fiction writers stray from their own lives and experiences - and I stray pretty far from mine - I think, ultimately, that we may be writing what we need to write in some way, albeit unconsciously.
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Writing a novel is a terrible experience, during which the hair often falls out and the teeth decay.
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At least half my writing time is spent researching. So for every hour I'm actually clicking on the keyboard, I'm spending another hour trying to figure out some tiny detail I need answered.
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Do not copy my style! The first rule of writing is write about what you know, not what you think you know. So, think about what you've done in your life and write about that.
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Habits in writing as in life are only useful if they are broken as soon as they cease to be advantageous.
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My writing has changed a lot. From 16 to 19, I've changed a lot. My kind of writing in the beginning was very observational; now it's grown very personal for me. I use it as a diary in many ways.
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I started a novel back in high school. It wasn't very good. It was the opposite of good. The writing itself wasn't too bad, and the characters were interesting. But the story was a mess, and it was full of fantasy cliches. Dwarf with an axe. Barbarian warrior. I don't ever think I'd bother finishing that. It's just not worth my time.
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I'm definitely writing my fears. It's almost therapeutic to at least voice a terror, to say, 'I'm worried that Lake Powell looks low and Lake Mead looks even lower.'
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Writing for young children I find I often use particular jokes with words and exaggerated, funny events, but some of these haunt the more complex stories for older children too.
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While I was in India, my yoga teacher asked me to start teaching, and my life became about that for years. I taught 18 classes a week, therapeutics, and traveled to study with other teachers.
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You youngsters nowadays think you're to begin with living well and working easy; you've no notion of running afoot before you get on horseback.
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His own life seemed so solitary, a fragile column supporting nothing amidst the wreckage of the years.
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Oh, dear friend, if you love your children, I charge you, do not let the early impression of a habit of prayer slip by. If you train your children to do anything, train them, at least, to have a habit of prayer.
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There is only one trait that makes the writer. He is always watching.
