Morley Callaghan Quotes
Quotes to Explore
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I taught English and history, so my education for that really helped prepare me for writing historical fiction.
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When you're writing a book, you don't really think about it critically. You don't want to know too well what you're doing. First, you write the book, then you find the justification for it.
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I think you have to learn for yourself how to write. I'm slightly mystified by creative writing courses - God love them - because I can't understand how you can explain a process that I find so baffling.
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I can sit and analyze everything and beat myself up and say you don't quite sing as good as you used to, you're writing better songs maybe than you used to, but to me it's just the journey.
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You sit at your computer for hours, then slave away at your job that you may or may not like. You don't know how to explain to them that the time when you feel alive or present is when you are writing.
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Good acting is all in the writing. If it isn't on the page, then it really won't make any difference. You cannot act on force of personality alone.
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Writing for the theater, you find yourself living a nocturnal life.
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I'm quite adept at writing two or sometimes even three stories at once. So if I get stuck on one story, I switch the next and let my subconscious work on unraveling any plot problems from another story.
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Instead of writing songs for girls, I tend to write albums, which I guess is a bit weird.
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I love writing songs. I love doing my radio show and talking to the fans and listening to what they have to say, but there's a certain responsibility that comes along with being given the gift of music. I take that seriously, but at the same time I try to use it to do something that makes a difference in a positive way.
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Writing a novel is a terrible experience, during which the hair often falls out and the teeth decay.
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At least half my writing time is spent researching. So for every hour I'm actually clicking on the keyboard, I'm spending another hour trying to figure out some tiny detail I need answered.
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Do not copy my style! The first rule of writing is write about what you know, not what you think you know. So, think about what you've done in your life and write about that.
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I started a novel back in high school. It wasn't very good. It was the opposite of good. The writing itself wasn't too bad, and the characters were interesting. But the story was a mess, and it was full of fantasy cliches. Dwarf with an axe. Barbarian warrior. I don't ever think I'd bother finishing that. It's just not worth my time.
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I'm definitely writing my fears. It's almost therapeutic to at least voice a terror, to say, 'I'm worried that Lake Powell looks low and Lake Mead looks even lower.'
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I can't imagine what it would be like to write in a relaxed state. I'm going to be writing some stories for my own interest. I want to experiment with different things and see if I can approach writing with much less control and in a better psychological state. It will be like breaking out of a straitjacket.
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The act of writing itself distracts the thoughts, and what is read twice is commonly better remembered than what is transcribed.
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There are, first of all, two kinds of authors: those who write for the subject’s sake, and those who write for writing’s sake. The first kind have had thoughts or experiences which seem to them worth communicating, while the second kind need money and consequently write for money.
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Technological 'revolutions' don't really overthrow anything - they simply append a new and dynamic market to that which went before.
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I like bringing my poet brain and sensibility to lyrics I write.
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The impossible - we are told - cannot be achieved. To overcome the 'impossible,' we need to use our wits and be fearless. We need to break the rules and to circumvent - some would one say to cheat.
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Everybody makes a decision about where they want their career to go. If I really want something, I put a lot of effort into it. If I don't want something, I won't.
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Money in property is dead money. It doesn't help the country. It's funny how the U.K., Ireland and Spain are the most property-obsessed nations in Europe and yet are also the ones suffering the most.
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There is only one trait that makes the writer. He is always watching.
