Morley Callaghan Quotes
Quotes to Explore
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I taught English and history, so my education for that really helped prepare me for writing historical fiction.
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When you're writing a book, you don't really think about it critically. You don't want to know too well what you're doing. First, you write the book, then you find the justification for it.
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I think you have to learn for yourself how to write. I'm slightly mystified by creative writing courses - God love them - because I can't understand how you can explain a process that I find so baffling.
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I can sit and analyze everything and beat myself up and say you don't quite sing as good as you used to, you're writing better songs maybe than you used to, but to me it's just the journey.
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You sit at your computer for hours, then slave away at your job that you may or may not like. You don't know how to explain to them that the time when you feel alive or present is when you are writing.
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Good acting is all in the writing. If it isn't on the page, then it really won't make any difference. You cannot act on force of personality alone.
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Writing for the theater, you find yourself living a nocturnal life.
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Be aware of who in your life is actually interested in hearing you discuss your writing, and who's just asking to be polite. Listening to writers talk about their work is often excruciatingly dull.
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I'm quite adept at writing two or sometimes even three stories at once. So if I get stuck on one story, I switch the next and let my subconscious work on unraveling any plot problems from another story.
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As a storyteller, when you're writing a movie and when you're directing, you want to keep people entertained. That's the whole point, right? It has to be entertaining.
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Instead of writing songs for girls, I tend to write albums, which I guess is a bit weird.
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I love writing songs. I love doing my radio show and talking to the fans and listening to what they have to say, but there's a certain responsibility that comes along with being given the gift of music. I take that seriously, but at the same time I try to use it to do something that makes a difference in a positive way.
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However far fiction writers stray from their own lives and experiences - and I stray pretty far from mine - I think, ultimately, that we may be writing what we need to write in some way, albeit unconsciously.
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Writing a novel is a terrible experience, during which the hair often falls out and the teeth decay.
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At least half my writing time is spent researching. So for every hour I'm actually clicking on the keyboard, I'm spending another hour trying to figure out some tiny detail I need answered.
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Do not copy my style! The first rule of writing is write about what you know, not what you think you know. So, think about what you've done in your life and write about that.
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Habits in writing as in life are only useful if they are broken as soon as they cease to be advantageous.
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My writing has changed a lot. From 16 to 19, I've changed a lot. My kind of writing in the beginning was very observational; now it's grown very personal for me. I use it as a diary in many ways.
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In my own writing, I avoid 'female' and try to say 'woman' because I feel that the word 'female' has connotations of not just biology but also non-human mammals. The idea of 'female' to me is more appropriate for a female animal.
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The idea of taking a song, envisioning the overall sound in my head and then bringing the arrangement to life in the studio...well, that gives me satisfaction like nothing else.
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Owl,' said Rabbit shortly, 'you and I have brains. The others have fluff. If there is easy thinking to be done in this Forest - and when I say thinking I mean thinking - you and I must do it.
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I feel like I'm a natural-born playwright, but the prose thing has always mystified me. How to keep it going? How do people do it, for years and years?
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We should stop having a conversation about cutting Social Security a little bit or a lot.
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There is only one trait that makes the writer. He is always watching.
