Dana Stabenow Quotes
The first thing my writing ever earned me wasn't an advance on a book; it wasn't a fee for an article or anything like that. It was, in fact, a residency at Hedgebrook Farm.
Quotes to Explore
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My coach is pushing me harder than ever to make sure I stay at a good level.
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Some reporter called me 'the angriest gay man in the world' or some such. Well, it stuck, but I realized it was very useful.
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As regards literary culture, it fascinates me that it has been so resilient to the Union. For example, when T.S. Eliot wanted to become poet in these lands, it wasn't as an English poet, it was an Anglian poet he wanted to be.
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But Eraserhead was the first real intense kind of thing I had ever done before the cameras and Lynch had to really bring me down a lot and he still does.
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I have a sewing machine that I adore, and I spend a lot of time sitting in front of it when I'm not working. And any excuse to paint or draw or do something artistic with my hands really gets me going. Definitely aspiring.
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R. C. Buford has been a huge help to me with his support.
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With sitcom writing, you're trying to write stories.
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One minute, it seemed I had more movie offers than I could handle; the next – no one wanted me.
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It took me years to learn that sentences in fiction must do much more than stand around and look pretty.
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Epic were adamant that I should carry on being me. They liked the way I look, my clothes, hats... nothing's changed really.
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Well, as an artist, I think that Elvis's generosity to me he always talked very highly about me, he always spoke very highly about my work and singing and my writing.
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Just watching Jack Lemmon made me want to get into this business.
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In the biographical novel, there's only one person involved. I, the author, spend two to five years becoming the main character. I do that so by the time you get to the bottom of Page 2 or 3, you forget your name, where you live, your profession and the year it is. You become the main character of the book. You live the book.
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I don't read horror, ever. When I was 15, I made the mistake of reading part of 'The Exorcist.' It was the first and last horror book I've ever opened.
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I actually run a non-profit where one of the main objectives is to branch out and get a new audience for the theater. Just because the writing is so good and nothing is more effective than seeing something live and happening right in front of your face, so I definitely want to continue to pursue that.
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I wasn't one of those kids who grew up wanting to write or who read a particular book and thought: 'I want to do that!' I always told stories and wrote them down, but I never thought writing was a career path, even though, clearly, someone was writing the books and newspapers and magazines.
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The anger and the creativity are so closely intertwined with me, and there's plenty of anger left.
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Personal relationships are usually my biggest inspirations for writing my songs. The best way for me to write a song is to visualise the story in my head, and I start humming a melody, and before you know it, a song is born.
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I can't do that wonderful thing that Tom Waits and Bob Dylan do - to do imagery. I'm not good at that. I just write from the heart.
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I think a player constantly improves his understanding of chess with experience.
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News reporting is a cycle: No matter how much you work at sending a message, it's only successful if it's received.
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It's so bad being homeless in winter. They should go somewhere warm like the Caribbean where they can eat fresh fish all day.
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The first thing my writing ever earned me wasn't an advance on a book; it wasn't a fee for an article or anything like that. It was, in fact, a residency at Hedgebrook Farm.
