Nassim Nicholas Taleb Quotes
Quotes to Explore
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Throughout history, self-styled arbiters have taken it upon themselves to decide the question of what can or cannot be the legitimate purview of art.
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Some people ask me, Do they put aging makeup on you? It's just this very nice street makeup.
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I think I was given a gift to play golf and to be mentally strong.
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I've always thought Juliette Lewis was great.
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I'm interested in taking raw human emotions and then isolating them without any narrative structure. In order to achieve this, I try to break out of the narrative conventions that you'd see in a typical feature film.
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From when I was 7 until I was 22, I played football. That was always my struggle as a kid. I always wanted to be an artist, but my parents were divorced, and my dad really wanted me to play sports, and that's how I got to see him. He would come pick me up or take me to practice, and he was always at my games.
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You have to realize that up until about 1959, Africa was dominated by the colonial powers. And by the colonial powers of Europe having complete control over Africa, they projected Africa always in a negative light - jungles, savages, cannibals, nothing civilized.
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You eat and sleep it all day long and play on the streets until mom calls you in. My story is no different than anybody else's.
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Having stretched the boundaries some, I'm perfectly content now to work within them. 'Doonesbury' doesn't need to become 'South Park.' You won't ever see any singing turds.
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Often times, we think of girls as soft and vulnerable. And we don't really think of them as possibly being the solutions to some of the world's toughest problems, but they really are.
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If you aren't taking a representative sample, you won't get a representative snapshot.
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The tax incentives in place for 'House of Cards' in Maryland have resulted in hundreds and hundreds of jobs and not just for actors, but for carpenters and waitresses and hotel workers. The amount of hotel nights and meals that the production of a television series brings to a state is staggering.
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I love biographies. I read Patti Smith's 'Just Kids.' I'm into that time frame in New York, the '70s and '80s. In art school, I read 'Close to the Knives,' the autobiography of the artist and AIDS activist David Wojnarowicz.
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He who wishes to paint Christ's story must live with Christ.
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I'm obsessed with 'Homeland.' It's not even okay.
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Tiles, the best furniture, fabrics, bath fixtures, bronze - just leaf through any design magazine and you immediately understand they're all 'Made in Italy.' We have the premier opera house in the world, La Scala, and behind the Nobel given to CERN is the research of many Italians.
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Dear though the reader might be, I'd be silly to cater to what the reader wanted.
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I sometimes feel nervous because I give stupid answers to certain pointless questions. It happens in Turkish as much as in English. I speak bad Turkish and utter stupid sentences.
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For a few years, skeins of yarn piled up in baskets around the house. There weren't enough humans in my mother's orbit to wear all the scarves and sweaters and hats she knitted. And then, as suddenly as she started, she lost interest, leaving needles still entwined in half-finished fragments.
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Great poetry is always written by somebody straining to go beyond what he can do.
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Writing a screenplay, for me, is like juggling. It's like, how many balls can you get in the air at once? All those ideas have to float out there to a certain point, and then they'll crystallize into a pattern.
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The Buddha never taught a sectarian religion; he taught Dhamma - the way to liberation - which is universal.
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I could never concentrate on Sunday church services because I'd be concentrating on women's hats.
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When conflicted between two choices, take neither.
