Nassim Nicholas Taleb Quotes
Quotes to Explore
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Throughout history, self-styled arbiters have taken it upon themselves to decide the question of what can or cannot be the legitimate purview of art.
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Some people ask me, Do they put aging makeup on you? It's just this very nice street makeup.
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I think I was given a gift to play golf and to be mentally strong.
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I've always thought Juliette Lewis was great.
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I'm interested in taking raw human emotions and then isolating them without any narrative structure. In order to achieve this, I try to break out of the narrative conventions that you'd see in a typical feature film.
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From when I was 7 until I was 22, I played football. That was always my struggle as a kid. I always wanted to be an artist, but my parents were divorced, and my dad really wanted me to play sports, and that's how I got to see him. He would come pick me up or take me to practice, and he was always at my games.
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You have to realize that up until about 1959, Africa was dominated by the colonial powers. And by the colonial powers of Europe having complete control over Africa, they projected Africa always in a negative light - jungles, savages, cannibals, nothing civilized.
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You eat and sleep it all day long and play on the streets until mom calls you in. My story is no different than anybody else's.
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Having stretched the boundaries some, I'm perfectly content now to work within them. 'Doonesbury' doesn't need to become 'South Park.' You won't ever see any singing turds.
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Often times, we think of girls as soft and vulnerable. And we don't really think of them as possibly being the solutions to some of the world's toughest problems, but they really are.
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If you aren't taking a representative sample, you won't get a representative snapshot.
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The tax incentives in place for 'House of Cards' in Maryland have resulted in hundreds and hundreds of jobs and not just for actors, but for carpenters and waitresses and hotel workers. The amount of hotel nights and meals that the production of a television series brings to a state is staggering.
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I love biographies. I read Patti Smith's 'Just Kids.' I'm into that time frame in New York, the '70s and '80s. In art school, I read 'Close to the Knives,' the autobiography of the artist and AIDS activist David Wojnarowicz.
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He who wishes to paint Christ's story must live with Christ.
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I'm obsessed with 'Homeland.' It's not even okay.
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Tiles, the best furniture, fabrics, bath fixtures, bronze - just leaf through any design magazine and you immediately understand they're all 'Made in Italy.' We have the premier opera house in the world, La Scala, and behind the Nobel given to CERN is the research of many Italians.
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Dear though the reader might be, I'd be silly to cater to what the reader wanted.
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I sometimes feel nervous because I give stupid answers to certain pointless questions. It happens in Turkish as much as in English. I speak bad Turkish and utter stupid sentences.
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Having followed the wireless industry long enough, I can tell you that building and supporting an application for different platforms is as tough as climbing a straight wall of rock.
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Every rock is spoon by the Word. Every time I touch a stone, I am touching the Voice of God. Every cell of me is crafted by that artistry. My life is His breath. But we mortals grow numb. We want to feel more. And so we add MSG to our earthly brands of holiness.
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It's just fun to be on a movie set and looking to find the comedy in sweet, simple family moments.
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I don't care about motivation. I care about credibility.
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I personally think if you're given four months instead of four weeks on a play, with the people who want to work that way, the play will invariably be different and stronger, and much more fulfilling and richer on all counts. There's no doubt in my mind about it.
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When conflicted between two choices, take neither.
