Caitlin Rose Quotes
I have a lot of vinyl, but I only buy old records on vinyl. Like secondhand. It's too expensive otherwise.
Quotes to Explore
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I don't like people cleaning my room.
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I grew up in different parts of Africa. I grew up in Mozambique and places like that. I've been in South Africa many times.
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These trees and these old people have one thing in common, they're both going in the ground soon!
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I feel like I'm supposed to be a shooter.
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If bigots behave like bigots, it's not a huge surprise.
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I didn't like the idea of being foolish, but I learned pretty soon that it was essential to fail and be foolish.
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The infectiousness of crime is like that of the plague.
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I love Vegas. It's like going to Disneyland.
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I'm an actor, of course, so I like to show off.
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Well, only Japanese may understand it, but I'm like a goat or something that likes high places.
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I still have my old Nintendo 64 that works. And I hook it up, and I still play the original 'Goldeneye.' I'm that geek. I have an 'NBA Jam' arcade machine in my office at 'SNL.'
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I started playing trumpet when I was 11 years old. All I wanted to be was a jazz trumpet player when I grew up.
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I really like collections of things. I love antique botanical prints with a bunch of different weeds and seeds.
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To be seventy years young is sometimes far more cheerful and hopeful than to be forty years old.
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If a person is treated like a patient, they are apt to act like one.
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My office in Milan is in an old factory. I have all my companies here, including Italia Independent and Independent Ideas.
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When you're an actor, you're mollycoddled, and you're treated with kid gloves. Everyone is like, 'Can I get you some water?' or 'Can I put on your slippers?'
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I watched a lot of old movies. Clint Eastwood movies, a lot of John Wayne films, a lot of movies that celebrated the region of where I lived.
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Instead of building the peace by attacking injustices like starvation, disease, illiteracy, political and economic servitude, we spend a trillion dollars on war since 1946, until hatred and conflict have become the international preoccupation.
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I had a friend who had been teaching music for a long time, and he knew a bunch of teachers, so I just put up the money and started a school.
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I need to thank my director, producers, and artists as well crew members of all my projects.
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In my memoir, I admit that I've been as fearful of success as of failure. In fact, when 'Passages' was published, I so dreaded bad reviews that I ran away to Italy with a girlfriend and our children to hide out.
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We're not making records for the fun of it; we're in it to make money.
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I have a lot of vinyl, but I only buy old records on vinyl. Like secondhand. It's too expensive otherwise.
