Vidal Sassoon Quotes
I'll never forget one morning I walked in and I had a hell of a bruise - it had been a difficult night the night before - and a client said to me, 'Good God, Vidal, what happened to your face?' And I said, 'Oh, nothing, madam, I just fell over a hairpin.'
Quotes to Explore
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Always remember that the most important thing in a good marriage is not happiness, but stability.
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Google's founders have had a good eye for imagining what technologies will be significant in the near future. No one asked Google to develop self-driving cars, but it helped them with street views for Google Maps.
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I really feel that the best actors out there are very centric. They're really connected. They're not in a, 'What about me' state, and I think that's a good lesson in life.
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I think you have to learn for yourself how to write. I'm slightly mystified by creative writing courses - God love them - because I can't understand how you can explain a process that I find so baffling.
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Generally, you want to raise capital either when you have to or when it's really easy. If the company desperately needs money, and they can't figure out any other way, then they need to raise money. Or if someone's offering you easy money on good terms, you should take it because you can use it for good things.
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I feel a responsibility to the fans who have paid to see me and I want to give as good a show as I possibly can.
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But I honestly don't read critics. My dad reads absolutely everything ever written about me. He calls me up to read ecstatic reviews, but I always insist that I can't hear them. If you give value to the good reviews, you have to give value to the criticism.
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In all good westerns, the good guy is always a little bit questionable because he kind-of has to make moral judgments.
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I've always said if what I'm going to create doesn't look good on everybody, I'm not going to do it.
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Amalgamation is a good word that I like to use - musically and in every way.
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Indians have very good engineering capabilities, and that is why, if an industry focuses on innovation, you will have a far greater chance of success, rather than the model which is based on just being a production machine.
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When I was sixteen I started acting, and I also started to embrace my tradition and culture. I had a young medicine man interpret for me what it is to be an Indian. He really caught me at a good time because I was really vulnerable after the loss of my parents with all of the feelings of abandonment.
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My unusual beauty tip is that I often use Vaseline to take my make up off. It works great and is good for sensitive skin.
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Even when things are at their worst, there's a little voice in your head saying, 'Good story!'
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A good artist should be isolated. If he isn't isolated, something is wrong.
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When I read the pilot 'for Married with Children', it just reminded me of my Uncle Joe... just a self-deprecating kind of guy. He'd come home from work, and the wife would maybe say 'I ran over the dog this morning in the driveway'. And he would say 'Fine, what's for dinner?
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I'm really into fashion, but I don't really spend that much on clothes. I manage to find everything I want at a good price.
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The materialism, the brashness, the misogyny - everything in hip-hop is amplified. Misogyny is a good example of something that is completely amplified in hip-hop. I do think there is more than enough of a balance, though, for fans who are willing to search it out.
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As costly as it was in the lives of our men and women in uniform, in military assets, and in esteem and pride, Pearl Harbor was a watershed moment for America.
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I'm always fighting either to have a house work with us or to head a house. It's a lifestyle I can totally see: the future, modern Versailles, modern Versace, modern Calabasas, paparazzi, celebrity language. I just want to build a collection that's around me and my wife and my kids.
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Y'know, I think, inherently, when you hear something like a teenage narrative come into play, even the idea that it's being called 'teenage' is a notion that it's being reduced to a problem that's not quite adult. That's a problematic thing to say about a narrative that could actually be dangerous, could be hurtful, could be upsetting.
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The way I see it, the earth is going to be here after we're dead and gone. Even if it's a polluted planet, and they messed it up. Where do they go from here - to another planet so they can mess that up too?
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I'll never forget one morning I walked in and I had a hell of a bruise - it had been a difficult night the night before - and a client said to me, 'Good God, Vidal, what happened to your face?' And I said, 'Oh, nothing, madam, I just fell over a hairpin.'
