Andrew Forge Quotes
The paint has a skin to it, here taut and glossy, there wrinkled, abraded, scarred. It is pierced, abraded, scraped. A line drawn through it will go through half a dozen states, from the furry bloom of crusted charcoal to a blind furrow, cutting a channel in to soft paint below.
Quotes to Explore
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I definitely feel more comfortable in my own skin since turning 40.
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I would be pleased if someone would invent a pill to remove my impatience, moodiness, and occasional bursts of anger. But if they did, I wouldn't be able to write my novels or paint.
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We are all Adam's children - it's just the skin that makes all the difference.
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Leaders keep their eyes on the horizon, not just on the bottom line.
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I have always focused on the bottom line.
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I thought it was a wonderful line - right on the cutting room floor.
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I think the bottom line for Oregonians is that cleaner fuels mean cleaner air, and we need that, and we want that.
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The bottom line is: We must be working on arriving at the destination for which we were put on this planet.
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Before anything else, I started painting bulls and matadors. That was my initiation to paint.
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I photograph the things that I do not wish to paint, the things which already have an existence.
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I still drive my 1977 Honda Accord. The paint is almost all worn off. It's still running.
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Poitier opened the doors to so many artists, not just black artists. There is a line that goes from black to Latin to Asian with regards to roles.
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When I'm not working, I prefer not to use any make-up so my skin can breathe. And I always moisturise.
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It took me four years to paint like Raphael, but a lifetime to paint like a child.
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Paint the essential character of things.
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A major theme in all my books is that the CIA is not only the first line of defense but they should also be the first line of offense.
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You have to develop a very thick skin.
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My mum used Avon Skin So Soft oil when I was younger. She would have a bath, and then the smell used to fill the whole house.
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When I know your soul, I will paint your eyes.
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I find it increasingly necessary to express my ideas first in engraving or lithography so that they may develop before I start to paint. Every year my form and expression become more sensitive, and my ideas frequently have to pass through three graphic stages before I can start on the canvas. I can hear you say no, that is impossible because the value of the colors demands quite different treatment from black and white, but it is the inner idea that I try to establish firmly through graphic preparation.
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I've done a lot of surveys and interacted with a lot of students, and I was shocked to see that at 12 years old, girls are already talking about dumbing themselves down.
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I guess we're all kinda searching for a connection with something that's relevant to our past and speaks to who we are, and maybe helps us make a connection to what we are, and where we come from.
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The paint has a skin to it, here taut and glossy, there wrinkled, abraded, scarred. It is pierced, abraded, scraped. A line drawn through it will go through half a dozen states, from the furry bloom of crusted charcoal to a blind furrow, cutting a channel in to soft paint below.
