Neal Gabler Quotes
Quotes to Explore
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The problem with writing a monthly book is that you're going through your work like a man running for a bus, red-faced and out of breath. There isn't time for reflection or critical self-examination.
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I started submitting stories for publication when I was about 15, but it was many years before I sold anything. I don't make my living writing science fiction, so in that sense, I'm still not a pro.
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I think you have to learn for yourself how to write. I'm slightly mystified by creative writing courses - God love them - because I can't understand how you can explain a process that I find so baffling.
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I like writing about biology, not doing it.
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I have to write what I can write, and writing the text of a picture book is like walking a tightrope, if you ramble off... As my friend Julius Lester says, 'A picture book is the essence of an experience.'
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Very often, writing a song is a process that happens to me rather than one that I instigate. I feel a song coming on and, like a sneeze; I wait for it until it comes.
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I found it really hard for a couple of years to do any writing because all I wanted to do was play the fiddle. From the minute I took it up, I just couldn't put it down.
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At least half my writing time is spent researching. So for every hour I'm actually clicking on the keyboard, I'm spending another hour trying to figure out some tiny detail I need answered.
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Music helps me immeasurably in the writing process.
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I changed my writing style deliberately. My first two novels were written in a very self-consciously literary way. After I embraced gay subject matter, which was then new, I didn't want to stand in its way. I wanted to make the style as transparent as possible so I could get on with it and tell the story, which was inherently interesting.
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I realised that I had always been writing things that other people wanted me to write and not what I really wanted to write, so I felt like I was losing my way.
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In my writing with Extreme, there are heavy themes. The cover photo has me with a gun to my neck. I am not advocating suicide. I am taking the philosophy that man is the measure of his own fate.
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I don't necessarily set out to teach or say anything in particular in my writing. Morals and themes come out as I'm telling the tale.
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I don't understand why, in my work, writing is always so dangerous. It's very destructive. People who write books are destroyers.
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It sounds odd, but I was a singer and started writing songs, and I didn't have anything in mind. Maybe it crossed my mind that it would be cool to have a hit record and a career, but that was so out of reach that I don't think I thought about it that much.
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If I wrote in Michael Harrington's time, roughly 50 years later when he published 'The Other America', I'd still be writing about poverty and also entrenched racial injustice.
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I've talked with friends about this: when you write about yourself, that's what people connect to. When you write a sermon or a lesson, that may not reach people. I've learned a lot from people who have been writing about themselves.
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Sugar is more present in America or England than it is in France. I think there is an addiction to sweetness.
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Passage of time can be mind-numbing to figure out in a screenplay. It's the easiest thing to do in prose, not just by writing 'four years later', but you can shift time in a sentence or two.
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I am, in some sense, a writer. Even though I kinda downplay the word thing, I do enjoy writing sometimes.
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I don't know if you'll see me jumping out of planes anytime soon.
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I came from a family where joining a union was the expected thing to do. I've always believed that the relationship between an employer and an individual worker is fundamentally unequal.
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Writing is not a profession, it's an addiction.
