Colleen McCullough Quotes
I am writing a sequel to The Touch because I want to further explore the Chinese question that I have raised. There will be more about that in a sequel.
Quotes to Explore
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The story was such that I couldn't make a graceful ending and then make a graceful new beginning. I could have, but I didn't want to. So, it isn't the most graceful way of writing a story. This new story is, I think, is pretty good stuff. I'm pleased with it anyway.
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Rock and roll doesn't necessarily mean a band. It doesn't mean a singer, and it doesn't mean a lyric, really. It's that question of trying to be immortal.
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With myself, how to pass time becomes sometimes the question - unavoidably, though it strikes me as a thing unspeakably sad in a life so short as ours.
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All writing is that structure of revelation. There's something you want to find out. If you know everything up front in the beginning, you really don't need to read further if there's nothing else to find out.
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Try imagining James Joyce not writing about being a Catholic.
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I can sit and analyze everything and beat myself up and say you don't quite sing as good as you used to, you're writing better songs maybe than you used to, but to me it's just the journey.
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Well, as an artist, I think that Elvis's generosity to me he always talked very highly about me, he always spoke very highly about my work and singing and my writing.
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We were very influenced by The Beatles, no question.
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I've been writing fiction probably since I was about 6 years old, so it's something that is second nature to me now. I just sit down and start writing. I don't sit down and start writing and it comes out perfectly - it's a process.
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I'm a professional songwriter - personal attitudes have nothing to do with writing a song.
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My highest point was the first thing I won, a short story competition in a women's magazine in the Eighties. It was the first time I'd had my writing validated, and the first thing I'd ever shown anyone else.
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Above and beyond drawing my creations, I try to incorporate some kind of message. I try not to end as merely a question but try to provide a conclusion within the work.
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I have no interest in writing, directing or producing.
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I wrote small stories here and there, then bigger ones. Some were even written for money. I signed up for a writing class and snuck my first assignment on a yellow legal pad in a partner's office while he read through my memo.
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I always used to deny this, but I guess what I'm really saying is that I was writing to shock... And I dug deep and dredged up all kinds of vile things which fascinated me at the time.
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Whatever's going on with me at the time of writing is going to find its way into the piece. If that doesn't happen, then what the hell am I doing? So if I'm writing 'Inglourious Basterds,' and I'm in love with a girl and we break up, that's going to find its way into the piece.
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I have two daughters: One an open book, one a locked box. So the question of privacy is a challenging one. How much do kids need? How much should we give? How do we prepare them to live in a world where the very notion of privacy opens a generational chasm?
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I'm not one of those people who's so blinded by my own work and my sweat. It's kind of risky writing a memoir when you're really part of a larger universe.
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'The Whole Nine Yards' I liked right away. It was kind of a dark comedy at first. And just the idea of being in a movie with Bruce Willis was pretty exciting.
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I wish I could have 25,000 years of my personal family history documented in a very powerful computer or a CD-ROM that I could just pop in and my computer would never crash.
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God's greatest agency; man's greatest agency, for defeating the enemy and winning men back is intercession.
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'Sons' was about working class white guys. And even though I didn't grow up in a motorcycle club, I grew up in a working-class, white-guy neighborhood.
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I am writing a sequel to The Touch because I want to further explore the Chinese question that I have raised. There will be more about that in a sequel.
