Federica Mogherini Quotes
Quotes to Explore
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I didn't follow big box office ideas. That eventually led me to witches. It's led me to find interesting roles.
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It was really weird dealing with the media. I had no idea how to handle it.
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Early in 1986, the World Health Organization in Geneva still regarded AIDS as an ailment of the promiscuous few.
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Write your own songs. It helps you to mean what you're singing, which will then make it mean something to listeners.
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I'm kind of a private person.
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Christmas is, of course, the time to be home - in heart as well as body.
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I think the attraction to Israeli women stems from the fact that we're exotic and the fact that there are many talented and beautiful women in Israel. I think that there is also greater awareness of Israel than before in the movie industry.
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Work as though you would live forever, and live as though you would die today. Go another mile!
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Unfortunately, America doesn't have a minister of culture, and I don't understand why. It's really bad for young people.
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That's what Kiss is all about - not just music, but entertainment, y'know? We're there to take you away from your problems, and rock and roll all night and party every day for those two hours you're at the concert.
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A dead end street is a good place to turn around.
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The key to good grilling is to recognize that you are setting yourself up to cook in a whole new environment. This is actually one of the main purposes of grilling - to get yourself outside.
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I am filled with uncertainty and fear when thinking about how my two daughters will grow into this world as Hoosiers, as Americans, as women and free thinkers.
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I love writing for other actors, women of African descent and people who are generally underrepresented.
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A creator needs only one enthusiast to justify him.
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I have always hated slavery, I think, as much as any abolitionist. I have been an Old Line Whig. I have always hated it, but I have always been quiet about it until this new era of the introduction of the Nebraska Bill began.
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I think I've slayed my long jump demons.
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The last romantic novel I think I read was 'Tess of the d'Urbervilles.'
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I believe that who we are, and consequently the work that we make, whether we're visual artists or writers or journalists or filmmakers, is a projection of where we were born, what's been withheld or lavished upon us, our color, our sex, our class. And everything we do in life to some degree is a reflection of that context.
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I just get silly inside my head and I start to think about something and in my head I start twisting it around, contorting it and envisioning it in different ways.
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I'm healed up and I feel great. After going through the fire, it's great to be out performing again.
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That could sound arrogant, I guess, but sometimes I feel like I have a bit of a Zelig thing. I'll blend in wherever. I'm from the South, so I'll have a Southern accent when I'm home. But if I'm up here in New York, I have a British accent.
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My heart would swell without warning, and tremble, and lurch with a stab of pain. I would try clamping my eyes shut and gritting my teeth, and waiting for it to pass. And it would pass -- but slowly, taking its own time, and leaving a dull ache behind.
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In international relations, you don't base your work on hope.
