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I would be a terrible director, I could never write anything. One of my great strengths is that I know all of my weaknesses.
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I'm not a comedian, but I love the comedians who know when to get off the stage.
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To be able to work with someone who you learn so much from is a really valuable experience.
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Sometimes I get mad when I think that I only have maybe 40 or 50 more springs in New York. When I miss one, 'cause I'm on location for a film, I wanna go, 'That's it, that just cost me one of my 50!'
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What I've been saying to people is that I write it.
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My folks still live in my childhood home, and so when I'm home with them, I usually feel the best.
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I love working with people who can teach me, because they're masters of the same business I'm in.
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I do like any kind of project that has both comedy and drama in it because in life you don't have one day where everything is funny then the next day everything is dramatic.
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It's hard to understand the films that you're in, because you never truly get to see them.
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It is strange when you're a loser in college, which I was, to then get your own show.
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I have a really dry sense of humor. I don't think it's funny when people wink at the camera. That's more of an actor thing, just committing to whatever the thing is.
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Happiness, sadness, being mean and being nice. They're all very close to one another. My goal in my career is to do movies that are both... I hate when people say is it a comedy or a drama? My favorite movies are kind of both. Just like life, one day you're not crying all day, one day you're not laughing all day. I like to play characters that have that kind of balance, too.
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Working on 'Lonely, I'm Not' – I love the material so much, and it's spring in New York, so I'm walking home whistling every day.