Tori Kelly Quotes
Quotes to Explore
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Writing a tribe is fun. They have their own language, their own slang; they repeat it, and it becomes part of the texture of the play. For a writer, that's thrilling. That's when my pen flies.
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I've had those people very interested in my writing. Since I think of myself as a composer, I feel really good. I've had lots of guys call me up. I've gotten two or three commissions to write things. I've written lots of movie scores.
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When you're writing a book, you don't really think about it critically. You don't want to know too well what you're doing. First, you write the book, then you find the justification for it.
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I love writing two narratives! I think concurrent storylines are my favorite way to write a book.
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The most difficult and complicated part of the writing process is the beginning.
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I was writing at a really young age, but it took me a long time to be brave enough to become a published writer, or to try to become a published writer. It's a very public way to fail. And I was kind of scared, so I started out as a ghost writer, and I wrote for other series, like Disney 'Aladdin' and 'Sweet Valley' and books like that.
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The nice thing about writing at home is that it's almost as though I'm doing it already. I get out of bed thinking of my work, and I don't have to go anywhere to do it.
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Nobody's going to write a book about me, because nobody's going to find anything worth writing a book about.
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But in the meantime I became accustomed to the writing life and it would be hard to change now - partly because of the salary cut if I went to my other love, teaching; and partly because I still have stories to tell, even though it isn't all that fun doing the work anymore.
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On a very personal level, I have fond memories of spending a lot of time in the Library of Congress working on my collection of poems 'Native Guard.' I was there over a summer doing research in the archives and then writing in the reading room at the Jefferson building.
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The problem with too beautiful a view is that it's alright for the mulling stage. But for the writing stage, you want to be somewhere without a view, especially if it is very different from what you're writing.
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You get so caught up in what you're writing - action sequences tend to do that more than anything else because you're living it, and feeling for your characters.
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I had a novel in the back of my mind when I won an Ian St James story competition in 1993. At the award ceremony an agent asked me if I was writing a novel. I showed her four or five chapters of what would become 'Behind the Scenes at the Museum' and to my surprise she auctioned them off.
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When I started writing it was kind of hard getting people to do my stuff. They' say they couldn't do my style.
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When I started writing about art, there were no curators.
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All my life I have been acutely aware of a contradiction in the very nature of my existence. For forty-five years I struggled to resolve this dilemma by writing plays and novels. The more I wrote, the more I realized mere words were not enough. So I found another form of expression.
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Every book is like starting over again. I've written books every way possible - from using tight outlines to writing from the seat of my pants. Both ways work.
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Frankly, I have always dreaded writing - there always seemed to be pain involved, unpleasant self-examination and a lot of fear.
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When I first started writing, I wrote really sad, emotional songs which were all slow.
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When you make music or write or create, it's really your job to have mind-blowing, irresponsible, condomless sex with whatever idea it is you're writing about at the time.
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Why did Ted Geisel end up writing and illustrating for young minds? He has specific imagery in the book, and we never would have moved beyond the discussion phase, if we couldn't have found an expression for The Lorax, dimensionally, that was true to the soul of what comes through in his simple line drawings, on the page.
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The primary goal of publishing general fiction and non-fiction was never profit - though profit was essential to stay in the game. Publishing is a vocation in which the work is its own reward, an insufficient goal for today's conglomerates.
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I have been a man of great sins, but He has been a God of great mercies; and now, through His mercies, I have a conscience as sound and quiet as if I had never sinned.
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Songwriting never gets old. There's always stuff to write about.
