Andrey Zvyagintsev Quotes
When I was shooting the film I did not see the story as an everyday tale or a social one. To a great extent, the film is a mythological look on human life. This is probably what I would like the audience to keep in mind before they enter the screening room.
Quotes to Explore
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The deadliest foe to virtue would be complete self-knowledge.
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I've never been a partier.
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The personal ego already has a strong element of dysfunction, but the collective ego is, frequently, even more dysfunctional, to the point of absolute insanity.
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There are a lot of female directors in documentary, very talented. But it's always lower budget.
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I have a garden. We have fresh tomatoes and strawberries. People are different here... People out in California, they grow up quicker. They have a lot of excess, and they have a lot more things than we do here in Hungary. There, they start doing makeup when they're 13, when we would still be out in the countryside making sausage.
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I've come to learn that the determined and gifted and genuine sociopath has far more power to deceive than we realize.
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Fortunately, human forgetting follows a pattern. We forget exponentially. A graph of our likelihood of getting the correct answer on a quiz sweeps quickly downward over time and then levels off.
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The tax incentives in place for 'House of Cards' in Maryland have resulted in hundreds and hundreds of jobs and not just for actors, but for carpenters and waitresses and hotel workers. The amount of hotel nights and meals that the production of a television series brings to a state is staggering.
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In business, every phase of things counts. Companies that just yell out a low price today to win business aren't going to make money in the long term.
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When I was on a major label I felt obliged to say yes to every interview, tour and whatever else. The label is always telling you, 'This ain't going to last,' so I worked myself half to death. I learnt from that and I like to pace myself now.
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You got to be rigorous in your appraisal system. The biggest cowards are managers who don't let people know where they stand.
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My main incentive now is to be so successful that I can get a private jet and sit with the pilot. I got upgraded to first class the other week, but even there I was still scared. I could be massaged for the whole flight and still think I'm going to die.
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When defeat comes, accept it as a signal that your plans are not sound, rebuild those plans, and set sail once more toward your coveted goal.
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Fifth Harmony is an entity or identity outside all of us, and I don't think anybody felt individually represented by the sound - we didn't make it.
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I just think it's quite remarkable that everyone says they want to add more commentary to their news pages. In some ways, I think, 'Well, how is that even possible?' It seems sometimes that that's all that there is.
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As people's lifestyles have improved, they've become more and more sensitive toward animals. It's becoming a universal value, like Western classical music.
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Town-scapes are changing. The open-plan city belongs in the past - no more ramblas, no more pedestrian precincts, no more left banks and Latin quarters. We're moving into the age of security grilles and defensible space. As for living, our surveillance cameras can do that for us. People are locking their doors and switching off their nervous systems.
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Where there is a lull of truth, an institution springs up. But the truth blows right on over it, nevertheless, and at length blows it down.
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I know what I'm doing. I know I'm shocking you.
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I'm surprised that we've gotten to a point where we don't put our country first and put our party first.
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I used to be fast and loose with the term 'country' because I didn't know what else to call my music. I still don't.
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I don't like to see people on trolleys in hospitals; I don't like to see old people sitting in chairs for hours.
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Concerning his own rages, I am convinced that they are not real, that they are sometimes experiments, but that in the main they are the habits of a pose or attitude he has seen fit to take toward his fellowman.
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When I was shooting the film I did not see the story as an everyday tale or a social one. To a great extent, the film is a mythological look on human life. This is probably what I would like the audience to keep in mind before they enter the screening room.
