Neil Farber Quotes
Each painting is its own world, but a lot of times I do see the paintings as one page from a story. You can imagine what has happened before or after. Sometimes they are worded as being a part of a story, especially the paintings where characters are in conversation.
Quotes to Explore
-
It's very juicy to twirl your mustache and figure out why people do the horrible things that they do. It's not just because they are evil, but because that's how they somehow explain the world to themselves and justify themselves. It's always interesting figuring out how that happens.
-
I want a natural burial. Just straight into the ground in a shroud.
-
There is not a more repulsive spectacle than on old man who will not forsake the world, which has already forsaken him.
-
An ordinary kitten will ask more questions than any five-year-old.
-
It's more important to try to do something for the crores of poor people of my country.
-
Sometimes my schedule doesn't allow time to go to the hotel after I get off the plane, so I bring my Freebird boots or my old school Adidas shell-toes to throw on after I land.
-
I'm also pretty resilient and fearless, and when I want something I go for it.
-
I saw 'Brokeback Mountain' in a packed house in Chelsea, New York, when I was filming a Bollywood film there. Chelsea, being a predominately gay neighbourhood, had the most euphoric reaction. I saw couples holding hands and crying at the end. It was the most heartening viewing I have ever been to.
-
I love being the sidekick. I'm pretty sure fans love seeing me that way.
-
For me, if I have the choice between an extra 45 minutes in bed or getting up at 4:30 A.M. to go to the gym, I will always choose bed.
-
I'm all in favor of banks that play their part in community endeavors, private individuals looking for loans, people who want to start up a little business, and that's what banks are for.
-
It had occurred to Rimford, at about the time he approached fifty, that the chief drawback in contemplating the enormous gulfs of time and space that constitute the bricks and mortar of the cosmologist is that one acquires a dismaying perception of the handful of years allotted a human being.
-
…a man who sold meat but knew nothing of the poetry of the slaughterhouse…. Ted Arden was no ice-cream butcher.
-
A point is not part of a line.
-
The number of elements that have to go into a hit would break a computer down…. the right season for that play, the right historical moment, the right tonality.
-
The reading public isn't born that doesn't think foreigners are either funny or faintly sinister.
-
Hope is being able to see that there is light despite all of the darkness.
-
The theory of cultural bias... is the idea that a culture is based on a particular form of organization. It can't be transplanted except to another variant of that organization.
-
I like to think of myself as the people's pop star a little bit. I respect Lady Gaga so much, and I love what she does, but she has this kind of mysterious, out-of-reach thing. I'm just not that - as much as I'd love to have that sort of mystique, I think I'm kind of an open book.
-
For things to have value in man's world, they are given the role of commodities. Among man's oldest and most constant commodity is woman.
-
I once had a friend who did the hair for sci-fi movies, and after a particularly bad break-up I stupidly went to her salon and told her she could do anything she liked. She dyed the bottom cherry red and the top peroxide blonde.
-
What’s burning?” “Your brain.
-
Everywhere in the world people were expecting the latter coming of one or another kickshaw messiah who would remove the discomforts which they themselves were either too lazy or too incompetent to deal with; and nobody had anything whatever to gain with electing for peculiarity among one's fellow creatures and a gloomier outlook. Even Coth saw that.
-
Each painting is its own world, but a lot of times I do see the paintings as one page from a story. You can imagine what has happened before or after. Sometimes they are worded as being a part of a story, especially the paintings where characters are in conversation.
