Kapil Dev Quotes
Quotes to Explore
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I really enjoy getting to go and play on other people's shows for an episode or two. It adds such variety to my repertoire.
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I've done comedy most of my career, which I love, but I wanted to expand.
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When I was first starting to write plays, I quite literally had never heard of the idea of studying playwriting. I wouldn't have studied it even if I had heard of it.
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I've got good speed off the edge.
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Oh, what a tangled web do parents weave when they think that their children are naive.
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I don't really look forward to movie stardom or doing a $200-million movie or winning an Academy Award.
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It is the end. But of what? The end of France? No. The end of kings? Yes.
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I view myself primarily as a trial lawyer who happens to be writing, as opposed to a writer who happens to be a trial lawyer, so the audience is like a jury to me.
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I love to write.
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If people want to think I'm an Indian prince, I don't want to dispel that notion.
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If you live through the initial stage of fame and get past it, and remember thats not who you are. If you live past that, then you have a hope of maybe learning how to spell the word artist.
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When I first started out as a young journalist, I know that on at least two occasions, when I walked into a newsroom, I knew I was replacing the black person in that job.
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One of the great things about Sydney is that it has a great acceptance of everyone and everything. It's an incredibly tolerant city, a city with a huge multicultural basis.
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When someone says something in an interview, the beauty of Twitter is that it's a platform for instantaneous response.
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You do not need a therapist if you own a motorcycle, any kind of motorcycle!
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People say I have my own Cinderella story, and in a way, I guess I do.
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When I saw 'Pretty In Pink' at the cinema at the age of 11, I just thought it was a period piece from maybe 100 years previously. I had no idea that was what everybody was supposed to be wearing.
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Satire is, by definition, offensive. It is meant to make us feel uncomfortable. It is meant to make us scratch our heads, think, do a double-take, and then think again.
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I don't write shows with dialogue where actors have to memorize dialogue. I write the scenes where we know everything that's going to happen. There's an outline of about seven or eight pages, and then we improvise it.
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Sometimes I get very dressed up just to go to the corner for some bread; I dress for my own amusement.
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The most important of all revolutions, a revolution in sentiments, manners and moral opinions.
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We always push the boundaries on the styles we put on a record.
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You just have to take control of your own performance.
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Spirituality lies in what you do and how you do it and not what result you get.
