Trish Stratus Quotes
And I have the support of the writers: I have a great relationship with the creative team, and they have a good hold of my character and my personality, and they come up with some great stuff, and I'm forever trying to change it up, keep it fresh.
Quotes to Explore
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You cannot do only one thing.
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From 1 till 7, when we moved to England, I spoke only Portuguese.
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We have a great country, we are a great nation - let us trust in it.
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I'm attempting to put myself in a bottle that will one day wash up on the beach for my children.
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No one's ever happy with their position in Hollywood. You hear that from people you'd never dream would complain.
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If the blood humor is too strong and robust, calm it with balance and harmony.
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I think what's fascinating is how many people are playing in politics who maybe haven't played before.
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One of my biggest drawbacks is my inability to maintain my physique. I put on weight for 'Soodhu Kavvum' and never managed to shed it. Luckily, that look suited a few films, including 'Orange Mittai.'
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I find myself really feeling like it's possible that maybe the greater contribution I'm going to be able to make through this next phase of my life might be as a writer writing wonderful parts for women, or even writing wonderful parts for myself, you know?
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That's what the sari is about. Everything is covered, yet a peep of an ankle can be a turn on for men.
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Definitely, I think I fulfill a very funny Indian stereotype because I love technology. It's something I've always been interested in.
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I feel very close to Maryann Plunkett and Jay O. Sanders.
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The moral is that a career can be gone in an instant. And all you have in this world are the people you love.
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If I made a musical in the beginning of my career, it would have been crane shots and tracking shots and people coming out of cakes and whatever, but these techniques are something that I've left behind me.
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In my home country, there was a little shop with old books, but it was really in the countryside. You couldn't find English books. I found this very avant-garde American art book that had information about Georgia O'Keeffe. I was very much impressed by her.
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It's certainly not a shock to find that the industry has no imagination. I think people don't know what it is I do. Because half the time you're talking to people who are in their 20s, and I've been doing this for over 25 years.
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Sometimes in this game it's as good to be lucky as it is to be good.
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There was a period of time when I first moved to Nashville, like the first couple of years, that I was just simply lost. I didn't know who I was; I didn't know really what I was doing here. I was meant to be a singer, but I just felt lost. That's when I went on the search for my birth family.
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No matter how much you rehearse on that stage, once you add 30,000 screaming people with flashing cameras into the equation, it's pretty intense.
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This Moses, I say, this man of old time, whose existence and character you are trying to elucidate, matters to nobody but scholars like you.
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I am more comfortable on set than I am in my own home.
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I'm not shy about trying to find what truth there is in any genre, whether that be an action piece, a sci-fi piece, a small indie film, or a play. I'm open to it all.
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And I have the support of the writers: I have a great relationship with the creative team, and they have a good hold of my character and my personality, and they come up with some great stuff, and I'm forever trying to change it up, keep it fresh.
