Fairfax Cone Quotes
Quotes to Explore
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I like going after good material, well-written material.
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Gory stuff can be shocking but it doesn't really scare me. I'd say the kind of stuff that gets under my skin is the unknown. You hear a knock behind a wall and you don't know what it is. Is there something there or not?
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In social policy, when we provide a safety net, it should be designed to help people take more entrepreneurial risks, not to turn them into dependents. This doesn't mean that we should be callous to the underprivileged.
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I'm a strange person - I don't really get rewards out of how many hits I have on YouTube. I love it, and I'm grateful, and it's important to me. But does it equal peace within me? No, it doesn't.
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The manager has his eye on the bottom line; the leader has his eye on the horizon.
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If you can get yourself where you're not afraid of dying, then you can move forward a lot faster.
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I've been a closet lover of faux-reality TV since 'The Hills'. It's bad.
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If I could be more vague I'd write more about people in my life, but I hate hurting feelings or making people feel uncomfortable. I've done that before. Unless they're sad songs. Those get finished fast, but the mean ones often end up at the back of the bottom drawer and it's probably for the best.
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I'm competitive. I don't like to lose.
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What men are among the other formations of the earth, artists are among men.
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I was raised speaking English and Spanish. And I also speak Danish. And I can get by in French and Italian. I've acted in Spanish and English, but when something has to do with emotions, sometimes I feel I can get to the heart of the matter better in Spanish.
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I still find it hard to understand that anyone could argue that you can't have machines that exhibit consciousness.
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When I see things in the world that leap out at me, I want to make use of them in fiction. Maybe every writer does that. It just depends on what you claim or appropriate as yours.
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You know, there's always someone in mind when I'm writing. You know, it's all comes from somewhere inside.
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I choose projects that resonate with me on some personal level and projects that I'm afraid to do. If I'm afraid to do them, then I usually say yes, because it means that I'm not ready to go there and deal with certain aspects of the script. And that means that I need to do it, because the things that scare you only make you better and stronger.
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I took religion much too seriously, however, and its overall effect was depressing. I would have really liked to discard it, but somehow I couldn't.
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The Spirit of the Holy Ghost is the teacher in the temple. He teaches principles of eternal significance. It is during these instructions that we see the relationship between the earthly and the eternal. We must remember that the Spirit teaches only those who are teachable.
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I'm a private person. I'm shy about people knowing things.
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The kind of in-depth investigative journalism we practice at 'Frontline' is thoughtful, rigorous, and time-intensive. It requires us to constantly seek untold stories and to give our producers and reporters the time and resources to dig into them deeply.
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After three years in L.A., I began to dream of my glory days on the boards. But it's very difficult to make a living as a theater actor in New York, which is why I moved out here, and I always had an ambition to work in television. I am a great admirer of the format, and I think it's how we tell long stories.
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Art is really about perception, and mine have been changed through visiting other realities.
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I had auditioned for 'Saturday Night Live' two or three times before and never really saw myself there. I looked up to Belushi and Bill Murray and Aykroyd and I never saw myself as in their world.
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If all the shows on television were about happy, functional relationships, first of all I don't know how many role models there are out there, sadly. And secondly, who would watch? Drama is conflict.
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The inventory goes down the elevator every night.
