Larry Gagosian Quotes
Quotes to Explore
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I want to have a long career.
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In our family health, it's about having a balanced life, about laughing and staying on a positive note.
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I didn't know I wanted to do films until I started to do them. Very few films are made in Mexico and film-making belonged to a very specific group, a clique.
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I don't even think I'll see all of 'The Mist' until I'm 18. I'm going to the premiere, but I'll close my eyes during the scarier scenes.
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I think newspapers will survive in some form or another.
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Athletic competition clearly defines the unique power of our attitude.
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I'm a religious man. I am Jewish but I believe in all religions. I believe in God and see him as an old man with a big white beard and pray to him every day for a few minutes.
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Whether it's a 16-year old girl, or a mom, or a guy, or anybody, as long as they come up and they're excited to meet me 'cause they've had some sort of relationship with something I've created, it's the coolest thing ever. It never gets old. It's awesome.
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The way we experience history and time in all its forms shifted quite massively between 1989 and 2001 - to the point where contrivances like decades are now kind of silly.
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To be able to make a good living in a challenging medium like soap operas is great. The best is that I get to act and am rewarded for it. And the people I work with are great. Funny, intelligent, hard working. They're all great to be around.
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In my twenties and early thirties, I wrote three novels, but beginning in my late thirties, I wearied of the mechanics of fiction writing, got interested in collage nonfiction, and have been writing literary collage ever since.
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I tried to start a theatre in LA and failed miserably, but I was probably not meant to raise money.
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We have great chemistry, great character. Our goals would be to keep everybody -- the coaching staff, the players -- together and hopefully improve next year. We all feel like we've got something going here.
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Flying is always an unpleasant experience. You wait an hour for every ten minutes you actually spend getting anywhere.
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I hate formal stuff. I love looking like a doll and all that stuff and playing dress up, but when I'm home, sweat pants, t-shirt. When I'm in the studio, sweat pants, t-shirt.
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Women were wearing the men's button-downs so I added men's touches into women's shirts. They're basically the same - just sexier. They're reshaped to the female body.
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I tend to wear monochromatic outfits - all one colour from head to toe. I did that when I was younger and still do that to this day.
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Love thy neighbor - and if he happens to be tall, debonair and devastating, it will be that much easier.
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When you're editing, you're putting it together in a way that makes sense metaphysically. You're not inventing it, but you're finding the story that's there. You're making a play that's eventually going to go on stage and present itself to an audience. You want to show what happened, not exactly what you have evidence of happening.
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I don't wear plaid shirts.
