Barbara Crampton Quotes
Don't watch people's individual performances. Watch the energy that's being passed between them, and then you'll see if the scene is really working or if the actors are really doing their job. If they're playing with the energy that's between them, they're not just acting in their own little bubble.
Quotes to Explore
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For me, being an actress, my responsibility is not to pay attention to all the noise around me and to pay attention to the script and the director and protect the character and try to tell her story the best I can.
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I don't believe that intelligence can be reduced to a number, frankly. But I can see how doing exactly that produces a useful sorting mechanism in our society in order to separate children into categories of promising and doomed. The tests seem arbitrary and without real scientific value and yet have lasting consequences.
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Fame can be annoying, but there are perks too.
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Our relationships with our computers are almost sexual, they're so close. They're just such a huge part of our lives.
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Someone once told me I looked good in red, so I bought every piece of clothing in red and bright-red lipstick. I had huge hair, as big as I could tease it and spray it.
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I believe there is a direct correlation between love and laughter.
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But I think boys ultimately are easier than girls.
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Trust me, you have to fight. When people are wrong, you've got to let them know it.
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I find Indian music very funky. I mean it's very soulful, with their own kind of blues. But it's the only other school on the planet that develops improvisation to the high degree that you find in jazz music. So we have a lot of common ground.
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I hope we can keep doing it this way - making music and art that are pure products of our influences while not really having to let the whole celebrity side of it get in the way. Then maybe more virtual bands will come out and do the same thing.
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You could argue that 'Sweeney Todd' was romantic, if you looked closely at it, but it didn't impart that to its audiences. But it's large, and it's melodramatic, and it's a style I like to work in periodically.
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I graduated from the University of Oklahoma, and I got the opportunity to take some on-camera classes while I was in school and met a casting director who informed me quite a bit before my move out to L.A.; it made L.A. feel possible, coming from Oklahoma and not having a family that was in the industry.
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I feel like something I've wanted to do for a really long time, in a feature film or anything, is playing a rocker. Somewhere where I can be on a stage and have a guitar or a microphone and just kind of jam out.
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Acting gives me an adrenalin rush I don't get from anything else.
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You don't need to be a spook to care about encryption. If you travel with your computer or keep it in a place where other people can put their hands on it, you're vulnerable.
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I think music is my favorite thing to do, but I go through periods where I think differently.
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I'm just trying to tell a nice story. Whether you're a writer or a producer, all you want to do is tell a good yarn.
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I read Shakespeare and the Bible, and I can shoot dice. That's what I call a liberal education.
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Charlie Rangel was writing laws on our taxes as chair of the Ways and Means Committee while somehow neglecting to pay his own.
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I found that when I went from Albany to Savannah, that I needed to put that white rice away, and I needed to turn that into Savannah red rice because they were big into that sausage, tomato-y, bell pepper-y rice mixture.
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Music is not a game to me. I take it very seriously.
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I suppose it is submerged realities that give to dreams their curious air of hyper-reality. But perhaps there is something else as well, something nebulous, gauze-like, through which everything one sees in a dream seems, paradoxically, much clearer. A pond becomes a lake, a breeze becomes a storm, a handful of dust is a desert, a grain of sulphur in the blood is a volcanic inferno. What manner of theater is it, in which we are at once playwright, actor, stage manager, scene painter and audience?
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The King himself should be under no man, but under God and the Law.
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Don't watch people's individual performances. Watch the energy that's being passed between them, and then you'll see if the scene is really working or if the actors are really doing their job. If they're playing with the energy that's between them, they're not just acting in their own little bubble.
