Gaspard Ulliel Quotes
Quotes to Explore
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I read comics and I did science, and never really put them together until I accidentally found myself in the middle of one.
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I think of myself as a cover girl. But I would never do some kind of cheesy magazine.
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I started modelling when I was 13, so I learned a lot of things. I actually love doing make-up on other people, too.
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I'm guilty of it myself, sort of thinking, 'Classic novels: snoozeville.' But there is a huge amount of wonderful material.
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My wife and I were both very engaged in trying to defeat Trump. We knocked on doors in three states.
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Every story I create, creates me. I write to create myself.
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I wrote 'Criminal' in 45 minutes when everyone else went to lunch because I had to have a hit. I can force myself to do the work, but only if someone is right up behind me.
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Having been on tour in countries that are extremely eco-friendly, we automatically end up doing the things that normal people do in other countries.
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I did a play called 'On Golden Pond' in a dinner theater in Maine and then went to New York for a talent competition having put together a three-man juggling routine and some one-liners and I got myself an agent from that.
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Obviously, you want to honour the sound of your music, but I'm definitely open to trying new things and making myself use a different palette of sounds.
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Reparations, I believe, are talked about for political reasons, trying to cater for the purpose of getting votes. If Congress was serious about reparations - in '93 and '94 the Democrats controlled the House, the Senate and the White House, and not one single Republican vote was needed for reparations.
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If you're trying too hard to be the girl next door, you're not going to be.
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You've heard me call myself a bluesman and a blues singer. I call myself a blues singer, but you ain't never heard me call myself a blues guitar man. Well, that's because there's been so many can do it better'n I can, play the blues better'n me. I think a lot of them have told me things, taught me things.
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Life is painting a picture, not doing a sum.
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If any ideology is so serious that you can't have fun while you're doing it, it's probably too serious.
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I'm a student of the movies. I'm a student of all media. This is what I do, and I like to immerse myself in what's current and what's topical. And I find that I'm drawn to those things.
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I need a spiritual connection - I can make changes, but I can't make miracles - and I need people around me who'll support me and believe in me and tell me the truth and not let me deceive myself into avoiding the what's scary and hard and necessary.
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I've gone back and forth with fine-tuning the kind of conditioning I'm doing. Sometimes trying to shed weight and getting leaner and sometimes trying to pack on a little more muscle.
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Even if I stumble on to the absolute truth of any aspect of the universe, I will not realise my luck and instead will spend my life trying to find flaws in this understanding - such is the role of a scientist.
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I think that what most artists are trying to do is trying to understand. I think what distinguishes creative people and/or artists from another type of person is perhaps a willingness to go headlong into that uncertainty.
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I don't like things to be overcharged, because otherwise everyone starts getting nervous. I try to be very well organized. When I write the script, everything is already in there, like the decoupage.
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I don't attempt to make people uncomfortable; I think that my standards in terms of art and journalism always have necessitated my discomfort.
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I think that usually the risk in trying to write children in fiction is the tendency to make them too cute or something.
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When I'm doing a photo shoot, I'm not playing a part. I'm just trying to be myself.
