Anna Dello Russo Quotes
Quotes to Explore
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We always regret that we did not ask our parents more, really get to know them while they were alive.
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So, you know, parenting is a very intimate and amazing experience and one of the best experiences of my life.
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I've never had to pitch a movie to a studio. I usually just let people read the script, then I cast it. I always think pitching is for baseball.
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You need to impress me, outwit me, compete with me? Go ahead, knock yourself out, I have no problem with that at all.
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I don't think of myself as a movie star and I can pretty easily convince other people that I'm not a movie star.
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Sometimes you can find peace of mind by transferring yourself to different situations. They're just reminders to stay... calm.
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It's an infinite creative universe to explore so why chase conservative options?
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With women, there's a basic female instinct of caring deeply about the way they look; women stars have a narcissist complex.
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I have never savored life with such gusto as I do now.
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A novel can do something that films and TV usually can't - a glimpse inside the characters' heads. I write very tight third person point of view, so the reader is right behind the eyes of each character, seeing what they see and feeling what they feel.
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It turns out, by the way, that oil rigs today generally don't cause spills. They are technologically very advanced.
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Chivalry!-why, maiden, she is the nurse of pure and high affection-the stay of the oppressed, the redresser of grievances, the curb of the power of the tyrant-Nobility were but an empty name without her, and liberty finds the best protection in her lance and her sword.
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Women have crucified the Mary Wollstonecrafts, the Fanny Wrights, and the George Sands of all ages. Men mock us with the fact and say we are ever cruel to each other... If this present woman must be crucified, let men drive the spikes.
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I want to know how God created this world. I'm not interested in this or that phenomenon, in the spectrum of this or that element. I want to know His thoughts, the rest are details.
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'One Yellow Daffodil' is both a look to the past and to the future and expresses my belief in the great spirit and strength of our children.
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The very first show I did was 'Fame L.A.' Everyone had talent... it was either dancing or acting or something like that. I was a singer, so I got my first role.
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The world began without man, and it will complete itself without him.
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In no small part I think all of us kind of look in the mirror and feel good or not feel good about the person we seen in the mirror in no small part because of the jobs we have.
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Most executives are male, so it's always sort of their vision of stuff. I'm constantly fighting against that even when I play the wife or the girlfriend or the best friend. I always try my hardest to bring as much layering in and not make things stereotypical, but it's hard.
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The creative process on 'Margaret' was incredibly satisfying. I loved the cast; I had a great time writing the script. I liked making the movie. Believe it or not, I actually like editing the movie. It was all the rest of it that was such a nightmare.
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It's a compulsion. I'm always changing parts of me. Even when I was young, I wanted to change my hair color. I was so determined that I dyed my hair with Kool-Aid.
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It's not like the original movie where you thought it was the mother committing the murders, but it was actually the son. I don't think it's possible to create the kind of shock today that we created in 1959. And I don't even want to try.
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Color me! Accessorize me! Shock me!
