Caitriona Balfe Quotes
Quotes to Explore
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I was lucky enough to go home and raise our babies.
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I like 'The Nightly Show.' People ask me what it is, and I say, 'If you're watching 'The Daily Show,' and it feels like it's getting a little darker, you're probably watching 'The Nightly Show.''
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I found out that there was this project called the 'Great Green Wall' where they wanted to plant trees across the Sahara desert, and the idea was born that I wanted to create a support structure for that initiative.
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The hardest thing in the world to do is to have someone in a seat in a theater laughing so hard that they're making weird sounds.
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There is absolutely no reason in the world of blockchain to build in net settlement. It's like saying you have got a new Ferrari and we are going to put a lawnmower engine in it.
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I went to this little performing arts school in downtown Phoenix. You had to dance or act, and everyone sang in choir. I started out playing the saxophone, but I always wanted to be in an orchestra. That was a dream as a kid, and there aren't a lot of saxophones in an orchestra.
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I have to think about how to not spread myself too thin. It's a really great problem to have.
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Unquestionably, there is progress. The average American now pays out twice as much in taxes as he formerly got in wages.
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Among a people generally corrupt liberty cannot long exist.
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When you're listening to radio and hear the same 20 songs over and over and over, you want a break from it. Sometimes you don't want to hear something that sounds just like everything else on the radio. Eventually, if you hear the same sounds and the same musicians and the same mixes and all of that, it will start to sound like elevator music.
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Unrequited affection is very painful for the lover, but it can have unexpected, creative consequences.
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We expect 'Narcos' will be an enormous success throughout everywhere in the world and maybe out-index in Latin America, given the Brazilian star and Brazilian director and heavy Latin American cast and that we shot the show entirely on location in Colombia.
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I use Graf Edmonton for boots and John Wilson blades.
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I am deeply immersed in my medical work, and it can get very intense, but I believe that the connection and devotion is key. You can not work on diseases as devastating and deadly as Lassa and Ebola without complete trust and respect for the individuals with whom you work. My lab and colleagues are just extraordinary, and we are a family.
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For me, religious festivals and celebrations have become an important way to teach my children about how we can transform living with diversity from the superficial 'I eat ethnic food', to something dignified, mutually respectful and worthwhile.
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At the beginning, I experienced writing as a sort of constraint. Starting so young as a writer is pitiable: it's beyond your powers; you have to lay bare things that are very heavy, and you don't have the means for that.
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From my own point of view, I hope everybody would realise that people who work in Scottish football - referees included - are always under terrific scrutiny.
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I'm a terrific mimic, and you can feel my funny bone.
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When you're married to someone famous, people know you, but they're not really seeing you.
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One of the pillars of 'Cyrano' is recreating a love story and, like any archetype, these great stories tend to be captivating, among other things, because they are made of those universal things that move us.
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I did a lot of commercials starting in about '75, yeah. Well, not 'a lot'; I never was a big old commercial gal, but I made a good living. I didn't immediately make 'a living' at commercials; the first year I made maybe a living was about '80. I had a great year in '85. I had a nice little supplement.
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Prayer is a fine, delicate instrument. To use it right is a great art, a holy art. There is perhaps no greater art than the art of prayer. Yet the least gifted, the uneducated and the poor can cultivate the holy art of prayer.
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I love the idea of bringing my work to the general public, not just people who go to gallery openings.
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It's great to play someone who's so unafraid of being who she is.
