Eartha Kitt Quotes
Quotes to Explore
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Because I'm so hands on here at work and always looking at fabrics you have to be mobile and as comfortable as possible.
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In some Old Testament books, it's very evident that an editor has been at work. That's quite all right. It's part of the process.
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It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized.
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I have never been given to envy - save for the envy I feel toward those people who have the ability to make a marriage work and endure happily.
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When you start to think about politicians, you've got to realize these are strange creatures. Other than the fact that they can't tell directions, and they have very strange breeding habits, how do you actually work with these things?
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In my theater work, I've had much more three-dimensional, broader-stroke characters.
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I'd hopefully work through all my issues with men first so then I'd be okay being with a woman.
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I've always been a feminist, and what I love in my work is being able to explore a full-sided woman and not patronize her.
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When you're a woman, you have to work harder to get a laugh... I follow so many hilarious women on Twitter. It's a daily reminder that women get to be funny.
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We all present versions of ourselves. The person you are at work is not the same person you are at home. The face we present in our most intimate relationships is not the face we present to the world.
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The American Dream is that any man or woman, despite of his or her background, can change their circumstances and rise as high as they are willing to work.
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Writers always have confidence issues - it comes with the territory. We never know where we fit in, or what the actual value of our work might be. So we hit lulls, or slogs. Throw in the idea that many creative people are somewhat manic-depressive, and it can get pretty dark at times.
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My father always said I have a face for radio, and 'Cloverfield' was one of my finest pieces of work.
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My wife is a painter, musician, and fiber artist. We married in 1993, and as she worked, I found that my reading about art was helping me understand what she was doing, just as seeing her work gave me a language with which to speak of art.
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I want to try and work in different genres with different types of actors, on small movies and big movies.
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The illusion is that most of my work is simply about past events: a point in history and nothing else.
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Even today I work with Niall O'Brien, who is far more technically astute than I am, but I still have the clearest idea of every detail I want in my photograph.
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Art, whatever form it takes, requires hard work, craftsmanship and creativity. As a writer, I know my grammar, cadence, the music of prose, and the art of the narrative.
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I've been extremely lucky in my career, in terms of artists and colorists I've been able to work with, and I think 'Helheim' is a perfect example of that look playing out perfectly.
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I have modes, mental modes that I get in, and when I'm on the road, I focus very much on doing the work. On playing the show, on being good every night. And part of me just gets switched off. The part that's very private and very personal and very intimate. That especially, that part of me gets shut off.
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Attachment to a baby is a long-term process, not a single, magical moment. The opportunity for bonding at birth may be compared to falling in love - staying in love takes longer and demands more work.
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In England, football is important for everybody.
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TV is my first love and I haven't disappeared from it totally.
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Maybe subconsciously I feel I was meant to work hard for a living.
